Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
From inside the book
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Page 12
... reading has lagged behind public speaking because the former has been thought of as a parlor accomplishment . But reading from the printed page , as the radio daily reminds us , plays a vital part in American life ; we must all learn to ...
... reading has lagged behind public speaking because the former has been thought of as a parlor accomplishment . But reading from the printed page , as the radio daily reminds us , plays a vital part in American life ; we must all learn to ...
Page 15
... reading or speaking from memory , from the pages of his mind ; but , as do all good actors and readers , he sounded com- pletely spontaneous . He spoke with abandon . D. Reading to an Audience If you have studied public speaking , you ...
... reading or speaking from memory , from the pages of his mind ; but , as do all good actors and readers , he sounded com- pletely spontaneous . He spoke with abandon . D. Reading to an Audience If you have studied public speaking , you ...
Page 53
... READING From extempore speech and declamation we move out of the realm of public speaking proper , and into the outskirts of the province of reading . The similarities are very close , however , in such reading as that of reports ...
... READING From extempore speech and declamation we move out of the realm of public speaking proper , and into the outskirts of the province of reading . The similarities are very close , however , in such reading as that of reports ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York