Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 24
... poem should be palpable and mute As a globed fruit Dumb As old medallions to the thumb Silent as the sleeve - worn stone Of casement ledges where the moss has grown— A poem should be wordless As the flight of birds A poem should be ...
... poem should be palpable and mute As a globed fruit Dumb As old medallions to the thumb Silent as the sleeve - worn stone Of casement ledges where the moss has grown— A poem should be wordless As the flight of birds A poem should be ...
Page 49
... poem show how aesthetic distance can be maintained or broken . 4. From your experience , what intrinsic techniques ... poem is " What does this poem mean ? " Such a question implies that a poem contains a central thought which ...
... poem show how aesthetic distance can be maintained or broken . 4. From your experience , what intrinsic techniques ... poem is " What does this poem mean ? " Such a question implies that a poem contains a central thought which ...
Page 239
... poem was " a suicide poem , " and asked , " Is this classification correct ? " Mr. Frost stopped that one . " That's terrible - terrible , isn't it ? " he said instantly . He talked awhile of the cruelty of nature ( " The woods are ...
... poem was " a suicide poem , " and asked , " Is this classification correct ? " Mr. Frost stopped that one . " That's terrible - terrible , isn't it ? " he said instantly . He talked awhile of the cruelty of nature ( " The woods are ...
Contents
A In Business and Professions A Individually | 7 |
PRINCIPLES | 15 |
IMPORTANCE | 16 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York