Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 82
... pitch . He lets the pitch down . The next time you go to the theatre , note how the professional actor , on the contrary , enters directly into a scene keyed , from the beginning , to the proper emotional pitch . 13 An aid to grasping ...
... pitch . He lets the pitch down . The next time you go to the theatre , note how the professional actor , on the contrary , enters directly into a scene keyed , from the beginning , to the proper emotional pitch . 13 An aid to grasping ...
Page 146
... Pitch Pitch refers to the places on the musical scale of our speech notes . If too many of them are at the same level , or if there is constant repeti- tion of the same speech melody or pattern , our voices will sound mo- notonous and ...
... Pitch Pitch refers to the places on the musical scale of our speech notes . If too many of them are at the same level , or if there is constant repeti- tion of the same speech melody or pattern , our voices will sound mo- notonous and ...
Page 156
... pitch . First , there are slides from one pitch to another , called inflections . The slide is illustrated in the words doing , and river . There are also steps from one pitch to another , with a distinct break between the two notes ...
... pitch . First , there are slides from one pitch to another , called inflections . The slide is illustrated in the words doing , and river . There are also steps from one pitch to another , with a distinct break between the two notes ...
Contents
A In Business and Professions A Individually | 7 |
PRINCIPLES | 15 |
IMPORTANCE | 16 |
Copyright | |
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York