Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 160
... pause and ( 2 ) change of pace . 1. The Pause 4 One of the most useful tools of expression in the reader's kit is the pause . The writer envies the reader this tool and tries in every way to employ it himself . He uses dots , dashes ...
... pause and ( 2 ) change of pace . 1. The Pause 4 One of the most useful tools of expression in the reader's kit is the pause . The writer envies the reader this tool and tries in every way to employ it himself . He uses dots , dashes ...
Page 161
... pause before the word moral at the end of the sentence points up the pun . If the reader does not pause there , he gives the audience no time to grasp the play on words and smile in recognition : " These Arab guides always had morals to ...
... pause before the word moral at the end of the sentence points up the pun . If the reader does not pause there , he gives the audience no time to grasp the play on words and smile in recognition : " These Arab guides always had morals to ...
Page 469
... pause there in the reading . If the punctuation is a period or a semi- colon , we make a decided pause , or a " full stop , " in the reading . In either case , we say that the line is " end - stopped . " But if there is no punctuation ...
... pause there in the reading . If the punctuation is a period or a semi- colon , we make a decided pause , or a " full stop , " in the reading . In either case , we say that the line is " end - stopped . " But if there is no punctuation ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York