Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 345
... never saw a moor , I never saw the sea ; Yet know I how the heather looks , And what a wave must be . I never spoke with God , Nor visited in Heaven ; Yet certain am I of the spot As if the chart were given . 1 From The Poems of Emily ...
... never saw a moor , I never saw the sea ; Yet know I how the heather looks , And what a wave must be . I never spoke with God , Nor visited in Heaven ; Yet certain am I of the spot As if the chart were given . 1 From The Poems of Emily ...
Page 394
... never have a fine nigger like Burt for best friend , and go to high schools and college , and never steal anything , or get drunk a little , or learn to swear from fellows who know how , or come walking up in front of a grand- stand in ...
... never have a fine nigger like Burt for best friend , and go to high schools and college , and never steal anything , or get drunk a little , or learn to swear from fellows who know how , or come walking up in front of a grand- stand in ...
Page 397
... never did . Sometimes he was out to win and sometimes he wasn't . I never cared much about that when I was swiping a horse . What I did want to know was that my horse had the speed and could go out in front , if you wanted him to . And ...
... never did . Sometimes he was out to win and sometimes he wasn't . I never cared much about that when I was swiping a horse . What I did want to know was that my horse had the speed and could go out in front , if you wanted him to . And ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York