Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 50
... NATURAL " CONCEPT III . SPEAKING , Reading , and ACT- ING IV . PROVINCE OF READING V. DIAGRAM OF RELATIONSHIPS I. NATURALNESS VS. TRAINING VI . RELATION TO AUDIENCE A. Public Speaking and Act- ing B. Reading and the Audience Prose 1 . 2 ...
... NATURAL " CONCEPT III . SPEAKING , Reading , and ACT- ING IV . PROVINCE OF READING V. DIAGRAM OF RELATIONSHIPS I. NATURALNESS VS. TRAINING VI . RELATION TO AUDIENCE A. Public Speaking and Act- ing B. Reading and the Audience Prose 1 . 2 ...
Page 51
... natural " would be good advice only if one were " naturally good . " We would all smile , unless we shuddered , if a surgeon were to walk into an operating room for a delicate operation and the young internes , who had come to watch the ...
... natural " would be good advice only if one were " naturally good . " We would all smile , unless we shuddered , if a surgeon were to walk into an operating room for a delicate operation and the young internes , who had come to watch the ...
Page 108
... natural at the beginning of the eighteenth century was most unnatural for the twentieth . The nat- ural order in English is not the natural order in other languages . In English we say , " A white horse . " In French it would be " A ...
... natural at the beginning of the eighteenth century was most unnatural for the twentieth . The nat- ural order in English is not the natural order in other languages . In English we say , " A white horse . " In French it would be " A ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York