Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 55
... matter of very great concern to the actor . Again the matter of " naturalness " is to the fore . It may be natural to the rĂ´le an actor is playing to speak so softly that only his fellow actors can understand him , but such a method ...
... matter of very great concern to the actor . Again the matter of " naturalness " is to the fore . It may be natural to the rĂ´le an actor is playing to speak so softly that only his fellow actors can understand him , but such a method ...
Page 200
... matter of expediency . Too lengthy a recital , even if well given , may fatigue an audience and ruin the impression that might have been made , had more extensive cutting been done . 2. Order of Events Often material can be shortened by ...
... matter of expediency . Too lengthy a recital , even if well given , may fatigue an audience and ruin the impression that might have been made , had more extensive cutting been done . 2. Order of Events Often material can be shortened by ...
Page 207
... matter of vital import to him . A reformer , far ahead of his time , reveals his thoughts as he passes to his execution at the hands of the very people who , a few months before , had hailed him as a prophet . A duke , about to remarry ...
... matter of vital import to him . A reformer , far ahead of his time , reveals his thoughts as he passes to his execution at the hands of the very people who , a few months before , had hailed him as a prophet . A duke , about to remarry ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York