Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
From inside the book
Results 1-3 of 94
Page 53
... material changes . " Storytelling " is more definitely in the province of reading , although the reader is just as anxious to be direct and to get his material across to his listeners as is the public speaker . Further progression into ...
... material changes . " Storytelling " is more definitely in the province of reading , although the reader is just as anxious to be direct and to get his material across to his listeners as is the public speaker . Further progression into ...
Page 200
... material from less important passages . In a novel lengthy descriptions may be reduced to a minimum . This process may seem like ruthless slaughter , but it is grim neces- sity , a matter of expediency . Too lengthy a recital , even if ...
... material from less important passages . In a novel lengthy descriptions may be reduced to a minimum . This process may seem like ruthless slaughter , but it is grim neces- sity , a matter of expediency . Too lengthy a recital , even if ...
Page 208
... material and cutting it to the proper length ; of assembling and practicing the material thus chosen , should be spread over several weeks . Once prepared - and well prepared - you have at hand a form of entertainment that can be used ...
... material and cutting it to the proper length ; of assembling and practicing the material thus chosen , should be spread over several weeks . Once prepared - and well prepared - you have at hand a form of entertainment that can be used ...
Other editions - View all
Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York