Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 191
... listen . Of course captive audiences also refuse to listen but they do it more subtly . What sort of an audience will you draw ? Children ? Adults ? Adults and children ? What will they have read ? Are they used to listening ? Have they ...
... listen . Of course captive audiences also refuse to listen but they do it more subtly . What sort of an audience will you draw ? Children ? Adults ? Adults and children ? What will they have read ? Are they used to listening ? Have they ...
Page 253
... Listening to a Selection I. LISTENING , A SKILL II . DEVELOPING AN ATTITUDE A. A Learning Situation B. Anticipatory Attitude III . FIXING ATTENTION A. Listen for Rhetorical De- D. Use Your Imagination E. Interpretative Listening IV ...
... Listening to a Selection I. LISTENING , A SKILL II . DEVELOPING AN ATTITUDE A. A Learning Situation B. Anticipatory Attitude III . FIXING ATTENTION A. Listen for Rhetorical De- D. Use Your Imagination E. Interpretative Listening IV ...
Page 254
... listen . Skillful listeners are disturbed by those in the audience who are oblivious to the nuances of the human voice . Maurice Evans had to stop his Richard II at a matinee in one city and ... listen to what is 254 LISTENING TO A SELECTION.
... listen . Skillful listeners are disturbed by those in the audience who are oblivious to the nuances of the human voice . Maurice Evans had to stop his Richard II at a matinee in one city and ... listen to what is 254 LISTENING TO A SELECTION.
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York