Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 179
... interests you may not have interest for the particu- lar group before whom you are going to read , so study your audi- ence to determine its tastes . Watch the time limit - be sure you can get your story comfortably within it . If you ...
... interests you may not have interest for the particu- lar group before whom you are going to read , so study your audi- ence to determine its tastes . Watch the time limit - be sure you can get your story comfortably within it . If you ...
Page 190
... interest in learning . If the reader will study his selection to emphasize those parts which are of especial interest to his class room audience , he may find success in holding attention . Have you analyzed your captive audience ? What ...
... interest in learning . If the reader will study his selection to emphasize those parts which are of especial interest to his class room audience , he may find success in holding attention . Have you analyzed your captive audience ? What ...
Page 257
... interest in the program for the day . Read over the selection yourself . How would you do it ? In the class discussion that follows the program what will your contribution be ? If thus you will build up within yourself an eagerness for ...
... interest in the program for the day . Read over the selection yourself . How would you do it ? In the class discussion that follows the program what will your contribution be ? If thus you will build up within yourself an eagerness for ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York