Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 23
... Imagination Does the author create without imitating or representing ? Does he create a work of art that has little or nothing of himself in it ? Is it what we might call a work of pure imagination ? The work might have its inception in ...
... Imagination Does the author create without imitating or representing ? Does he create a work of art that has little or nothing of himself in it ? Is it what we might call a work of pure imagination ? The work might have its inception in ...
Page 86
... imagination is so important in working up a selec- tion that we must consider the matter in some detail . Begin by putting yourself in the place of the author . Consider the author your friend ; remember that your friend received his ...
... imagination is so important in working up a selec- tion that we must consider the matter in some detail . Begin by putting yourself in the place of the author . Consider the author your friend ; remember that your friend received his ...
Page 90
... imagination trained to hear ? When you read the fol- lowing sentence from a sermon by Harry Emerson Fosdick , can you picture the scene and hear the words being uttered from the platform ? Dr. Fosdick said : " Centuries afterward a boy ...
... imagination trained to hear ? When you read the fol- lowing sentence from a sermon by Harry Emerson Fosdick , can you picture the scene and hear the words being uttered from the platform ? Dr. Fosdick said : " Centuries afterward a boy ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York