Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 134
... five times . 3. Draw the upper lip down over the upper teeth as far as you can . Repeat five times . 4. Draw the lower lip up over the lower teeth as far as you can . Repeat five times . 5. Twist the mouth alternately to the left and ...
... five times . 3. Draw the upper lip down over the upper teeth as far as you can . Repeat five times . 4. Draw the lower lip up over the lower teeth as far as you can . Repeat five times . 5. Twist the mouth alternately to the left and ...
Page 280
... five - foot line , each foot containing an unaccented , followed by an accented , syllable . It would be difficult to find many such lines in the whole range of English poetry , for our verse is based on recurrent accent as an iceberg ...
... five - foot line , each foot containing an unaccented , followed by an accented , syllable . It would be difficult to find many such lines in the whole range of English poetry , for our verse is based on recurrent accent as an iceberg ...
Page 469
... Five feet to the line . X / X / X X / X ' Were I as base / as is / the low / ly plain , X / X / X / X / X / And you , my Love / as high as heaven / a bove , Hexameter . Six feet to the line . Septameter . Seven feet to the line ...
... Five feet to the line . X / X / X X / X ' Were I as base / as is / the low / ly plain , X / X / X / X / X / And you , my Love / as high as heaven / a bove , Hexameter . Six feet to the line . Septameter . Seven feet to the line ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York