Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 46
... feel that they are sharing in the ideas . He will use all the means of contact at his command to enter into the thinking and feeling of his hearers . But when the reader is engaged in reading a lyric poem , for example , where the ...
... feel that they are sharing in the ideas . He will use all the means of contact at his command to enter into the thinking and feeling of his hearers . But when the reader is engaged in reading a lyric poem , for example , where the ...
Page 82
... feeling of a passage . The inexperienced reader attacks every selection in the same colorless manner . No doubt his ... Feel- ing Without Contextual Material , " a doctoral dissertation , University of Southern California , abstracted ...
... feeling of a passage . The inexperienced reader attacks every selection in the same colorless manner . No doubt his ... Feel- ing Without Contextual Material , " a doctoral dissertation , University of Southern California , abstracted ...
Page 87
... feels to hover over Paris in an airplane at night . All you need do is to weave the odds and ends of direct and in- direct experience together actually to feel yourself there , in the plane . Note the splendid descriptive phrase of Mr ...
... feels to hover over Paris in an airplane at night . All you need do is to weave the odds and ends of direct and in- direct experience together actually to feel yourself there , in the plane . Note the splendid descriptive phrase of Mr ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York