Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 113
... fact that we can read so much of ourselves into it . Vagueness , suggestion , that leave much to the imagination , can be as much a source of beauty as are clarity and definition . VII . PHRASAL PATTERNS 17 The fact that passages of ...
... fact that we can read so much of ourselves into it . Vagueness , suggestion , that leave much to the imagination , can be as much a source of beauty as are clarity and definition . VII . PHRASAL PATTERNS 17 The fact that passages of ...
Page 155
... fact is that the human ear just doesn't seem to function under a continuous bombardment of the same sound . Halford E. Luccock , professor - emeritus of homiletics at Yale University Divinity School , gives a vivid description of vocal ...
... fact is that the human ear just doesn't seem to function under a continuous bombardment of the same sound . Halford E. Luccock , professor - emeritus of homiletics at Yale University Divinity School , gives a vivid description of vocal ...
Page 234
... facts they need to make their own plans ./ .. the facts they need to take part in the public discussions through which the nation's plans are made . // To provide those facts through frank , forthright and realistic reporting / is the ...
... facts they need to make their own plans ./ .. the facts they need to take part in the public discussions through which the nation's plans are made . // To provide those facts through frank , forthright and realistic reporting / is the ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York