Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 115
... face to face . Now my knowledge is imperfect , but then I shall know as fully as God knows me . And now , in order that the shift in rhythm may be even more pointedly shown , consider this translation of Weymouth : 1. If I can speak ...
... face to face . Now my knowledge is imperfect , but then I shall know as fully as God knows me . And now , in order that the shift in rhythm may be even more pointedly shown , consider this translation of Weymouth : 1. If I can speak ...
Page 165
... face , the inert hands and body have no place in speaking and reading . Nothing could be more incongruous than to have an animated voice with an expression- less face behind it ; or to have the voice express joy or sorrow and the face ...
... face , the inert hands and body have no place in speaking and reading . Nothing could be more incongruous than to have an animated voice with an expression- less face behind it ; or to have the voice express joy or sorrow and the face ...
Page 383
... face to face When I have crossed the bar . FROM In Memoriam A. H. H. ALFRED LORD TENNYSON Strong Son of God , immortal Love , Whom we , that have not seen thy face , By faith , and faith alone , embrace , Believing where we cannot prove ...
... face to face When I have crossed the bar . FROM In Memoriam A. H. H. ALFRED LORD TENNYSON Strong Son of God , immortal Love , Whom we , that have not seen thy face , By faith , and faith alone , embrace , Believing where we cannot prove ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York