Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 100
... experience and a world of ideas . Demosthenes said that he learned words through experience , rather than experience through words . The college student , for the most part , reverses 4 The student would find the discussion of T. S. ...
... experience and a world of ideas . Demosthenes said that he learned words through experience , rather than experience through words . The college student , for the most part , reverses 4 The student would find the discussion of T. S. ...
Page 249
... experience , together with a special aptitude for welding or grouping those odds and ends when they are fished up.2 To match those catacombs of experience that the author draws upon to write a particular work , the reader must draw upon ...
... experience , together with a special aptitude for welding or grouping those odds and ends when they are fished up.2 To match those catacombs of experience that the author draws upon to write a particular work , the reader must draw upon ...
Page 262
... experience did it il- lumine ? We must remember that all the reader can do for us is to stir up our own experience . The symbols used by the author and translated into living speech by the reader are attempts to rearrange our experience ...
... experience did it il- lumine ? We must remember that all the reader can do for us is to stir up our own experience . The symbols used by the author and translated into living speech by the reader are attempts to rearrange our experience ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York