Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 214
... choral performance . By its use voices can get out to the audience , and all the performers can be seen ; no one is lost in the crowd . If a poem to be given is for solo voice and chorus , the soloist can stand at the apex.2 The ...
... choral performance . By its use voices can get out to the audience , and all the performers can be seen ; no one is lost in the crowd . If a poem to be given is for solo voice and chorus , the soloist can stand at the apex.2 The ...
Page 223
... choral reading . Be ready to discuss . 3. Mark your favorite psalm for solo and chorus voices . 4. Listen to radio and television broadcasts for choral treatment of advertisements . Discuss before the class . 5. Prepare a talk on the ...
... choral reading . Be ready to discuss . 3. Mark your favorite psalm for solo and chorus voices . 4. Listen to radio and television broadcasts for choral treatment of advertisements . Discuss before the class . 5. Prepare a talk on the ...
Page 453
... Choral Reading Abney , Louise , Choral Speaking Arrangements for High Schools ( Bos- ton : Expression Company , 1937 ) . De Banke , Cécile , The Art of Choral Speaking ( Boston : Baker's Plays , 1937 ) . Deplitch , Edith Martha , Poems ...
... Choral Reading Abney , Louise , Choral Speaking Arrangements for High Schools ( Bos- ton : Expression Company , 1937 ) . De Banke , Cécile , The Art of Choral Speaking ( Boston : Baker's Plays , 1937 ) . Deplitch , Edith Martha , Poems ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York