Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 173
... characters ? How does he manage to make them clear to the reader ? Do you know any real people like them ? Do you know people like those Sinclair Lewis writes . about ? Is a particular character taken from life , from indirect ...
... characters ? How does he manage to make them clear to the reader ? Do you know any real people like them ? Do you know people like those Sinclair Lewis writes . about ? Is a particular character taken from life , from indirect ...
Page 174
... characters ? Does he classify his characters by their attitudes to certain facts ? B. Plot 5 Plot means , as its etymology implies , a weaving together . How are the various interests represented by the characters made to harmonize or ...
... characters ? Does he classify his characters by their attitudes to certain facts ? B. Plot 5 Plot means , as its etymology implies , a weaving together . How are the various interests represented by the characters made to harmonize or ...
Page 204
... characters he intends to introduce to them . When shall this be done ? Some readers discuss all the characters in the story at the beginning of the recital ; others discuss each character prior to his first entrance on the scene . The ...
... characters he intends to introduce to them . When shall this be done ? Some readers discuss all the characters in the story at the beginning of the recital ; others discuss each character prior to his first entrance on the scene . The ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York