Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 123
... breathing we take breath in slowly and let it out quickly , each cycle being followed by a brief pause . But in speaking we take in breath quickly and expend it slowly . Silent breathing is involuntary ; speech breathing , voluntary ...
... breathing we take breath in slowly and let it out quickly , each cycle being followed by a brief pause . But in speaking we take in breath quickly and expend it slowly . Silent breathing is involuntary ; speech breathing , voluntary ...
Page 124
... breath before each of the last three words , because to maintain the con- trol necessary for sustaining light tones we need plenty of breath in the lungs . Do this to test your breath control . Light a candle and blow the flame to the ...
... breath before each of the last three words , because to maintain the con- trol necessary for sustaining light tones we need plenty of breath in the lungs . Do this to test your breath control . Light a candle and blow the flame to the ...
Page 125
... breath to and from the lungs must pass , is called the glottis . In ordinary breathing the vocal cords are relaxed and the glottis is freely open ; for voice production , however , the vocal cords stretch moving closer together until ...
... breath to and from the lungs must pass , is called the glottis . In ordinary breathing the vocal cords are relaxed and the glottis is freely open ; for voice production , however , the vocal cords stretch moving closer together until ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York