Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 109
... become concerned with definition . Unless you have given some thought to the matter , you will no doubt be surprised to find that there are many different ways in which a word can be defined . In the following passage from Tarawa , by ...
... become concerned with definition . Unless you have given some thought to the matter , you will no doubt be surprised to find that there are many different ways in which a word can be defined . In the following passage from Tarawa , by ...
Page 123
... become symbols of meaning to others . Let us first consider voice , under four headings : I. VOICE A. Breathing No doubt you have been told you should always " breathe from the diaphragm . " What does this mean ? Let us explain . Your ...
... become symbols of meaning to others . Let us first consider voice , under four headings : I. VOICE A. Breathing No doubt you have been told you should always " breathe from the diaphragm . " What does this mean ? Let us explain . Your ...
Page 136
... become used to the running together of sounds . Take the word blending itself . We do not say blend ing , in two distinct syllables ; rather , we carry the sound of the d over to blend with the sound of ing . The same process works in ...
... become used to the running together of sounds . Take the word blending itself . We do not say blend ing , in two distinct syllables ; rather , we carry the sound of the d over to blend with the sound of ing . The same process works in ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York