Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
From inside the book
Results 1-3 of 96
Page 55
... audience . In extempore speaking we have the closest objective connection between speaker and audience . It is : " Ladies and Gentlemen , I am going to talk to you today about The speaker keeps his eyes on the audience , he talks with ...
... audience . In extempore speaking we have the closest objective connection between speaker and audience . It is : " Ladies and Gentlemen , I am going to talk to you today about The speaker keeps his eyes on the audience , he talks with ...
Page 190
... audience that there is a high degree of interest in learning . If the reader will study his selection to emphasize those parts which are of especial interest to his class room audience , he may find success in holding attention . Have ...
... audience that there is a high degree of interest in learning . If the reader will study his selection to emphasize those parts which are of especial interest to his class room audience , he may find success in holding attention . Have ...
Page 191
... audience participation . If the reader has perfect freedom in his choice of selection , he has only himself to blame if his diagnosis of the audience and occasion has been mistaken . Unlike the speaker who can watch his audience for ...
... audience participation . If the reader has perfect freedom in his choice of selection , he has only himself to blame if his diagnosis of the audience and occasion has been mistaken . Unlike the speaker who can watch his audience for ...
Other editions - View all
Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York