Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page v
... attention . The aesthetic basis of oral reading is now treated in a chapter by itself . The various relationships of the reader to the aspects of oral reading have been brought together and enlarged . And , since so much of the ...
... attention . The aesthetic basis of oral reading is now treated in a chapter by itself . The various relationships of the reader to the aspects of oral reading have been brought together and enlarged . And , since so much of the ...
Page 226
... attention . Variations in spacial and temporal perception help hold the audi- ence . Along with a good script in which the thought develops apace the skill of the speaker will help hold attention . This skill has its basis in " clear ...
... attention . Variations in spacial and temporal perception help hold the audi- ence . Along with a good script in which the thought develops apace the skill of the speaker will help hold attention . This skill has its basis in " clear ...
Page 257
... ATTENTION A. Listen for Rhetorical Devices Attention to rhetorical details in a reading becomes a fascinat- ing way in which to keep attention focused on a reading . Often students greet with incredulity the suggestion that artists have ...
... ATTENTION A. Listen for Rhetorical Devices Attention to rhetorical details in a reading becomes a fascinat- ing way in which to keep attention focused on a reading . Often students greet with incredulity the suggestion that artists have ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York