Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 51
... actors in such a situation . No , indeed ; the actor playing Macbeth must be located at a certain place on the stage at a certain time or chaos would result . He must cross in front of another actor in a carefully rehearsed manner at an ...
... actors in such a situation . No , indeed ; the actor playing Macbeth must be located at a certain place on the stage at a certain time or chaos would result . He must cross in front of another actor in a carefully rehearsed manner at an ...
Page 53
... actor reads the lines of a specific rôle in a play . We note , therefore , that somewhere between the rather definite regions of Acting the speaker and the actor or , rather , THE READER , THE ACTOR , THE SPEAKER 53.
... actor reads the lines of a specific rôle in a play . We note , therefore , that somewhere between the rather definite regions of Acting the speaker and the actor or , rather , THE READER , THE ACTOR , THE SPEAKER 53.
Page 55
... actor . Theoretically , he has no concern with the audience . His business is with the other actors . Thus , Bassanio talks to Portia in The Merchant of Venice , Rosalind to Orlando in As You Like It . We know , however , that the ...
... actor . Theoretically , he has no concern with the audience . His business is with the other actors . Thus , Bassanio talks to Portia in The Merchant of Venice , Rosalind to Orlando in As You Like It . We know , however , that the ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York