Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 35
... accent . English is a language of pronounced and varied word accent . It takes only a moment's thought to confirm that statement for one's self . Words of more than one syllable have at least one accent . Words of two syllables , like ...
... accent . English is a language of pronounced and varied word accent . It takes only a moment's thought to confirm that statement for one's self . Words of more than one syllable have at least one accent . Words of two syllables , like ...
Page 36
... accent on the first and a secondary accent on the third syllable . Consolidate has four syllables , with the primary accent on the second and the secondary accent on the fourth syllable . It can readily be seen that English is ...
... accent on the first and a secondary accent on the third syllable . Consolidate has four syllables , with the primary accent on the second and the secondary accent on the fourth syllable . It can readily be seen that English is ...
Page 280
... accent , or stress . English verse is in- dubitably based on a theoretical ( but not an actual ) pattern of recur- rent accent . An iambic pentameter , we say , is a five - foot line , each foot containing an unaccented , followed by an ...
... accent , or stress . English verse is in- dubitably based on a theoretical ( but not an actual ) pattern of recur- rent accent . An iambic pentameter , we say , is a five - foot line , each foot containing an unaccented , followed by an ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
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accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York