Oral Reading: Discussion and Principles, and an Anthology of Practice Materials from Literature, Classical and ModernInstruction on reading aloud, accompanied by practice selections. |
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Page 60
... CHAPTER III 1. How does another text on oral interpretation treat the subject matter of this chapter ? 2. Read and report on a book on acting , such as Michael Redgrave , The Actor's Ways and Means ( New York : Theatre Arts , 1954 ) ...
... CHAPTER III 1. How does another text on oral interpretation treat the subject matter of this chapter ? 2. Read and report on a book on acting , such as Michael Redgrave , The Actor's Ways and Means ( New York : Theatre Arts , 1954 ) ...
Page 61
... CHAPTER IV Tools of Understanding and Appreciation I. SPECIAL RHETORICAL DEVICES A. The Central Idea B. Main and ... CHAPTER III Up to this point in your education for communicating with others , you have studied many of the tools to be ...
... CHAPTER IV Tools of Understanding and Appreciation I. SPECIAL RHETORICAL DEVICES A. The Central Idea B. Main and ... CHAPTER III Up to this point in your education for communicating with others , you have studied many of the tools to be ...
Page 117
... CHAPTER V 1. Read and report orally upon one of the chapters in Irving J. Lee's Language Habits in Human Affairs ( New York : Harper & Brothers , 1941 ) . Be prepared to read aloud a few paragraphs to the class . 2. Read and report ...
... CHAPTER V 1. Read and report orally upon one of the chapters in Irving J. Lee's Language Habits in Human Affairs ( New York : Harper & Brothers , 1941 ) . Be prepared to read aloud a few paragraphs to the class . 2. Read and report ...
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Oral Reading: Discussion and Principles, and an Anthology of Practice ... Lionel Crocker,Louis Michael Eich No preview available - 1955 |
Common terms and phrases
accent actor ALFRED LORD TENNYSON audience Boom breath characters Charles Laughton choral CHORUS Company Crito dead DEVIZES Edwin Arlington Robinson effect EMILY emotion English example experience expression eyes face father feel give Gunga Din hand hear heart Henry Ward Beecher idea interest Jesse James John John Keats light listen literature live look Lord Lowell Thomas material meaning mind never oral interpretation oral reader oral reading passage pause person PHILIP phrase pitch play poem poet poetry PROJECTS FOR CHAPTER prose radio recital rhythm Robert Browning Robert Frost scene script selection sense sentence SOLO sound speaker speaking speech story student syllable T. S. Eliot talk television thee things thou thought tion Tommy tone tongue Vachel Lindsay verse vocal voice vowel words writing York