SCENE V. London. A Room in the Palace. Enter KING HENRY, in conference with SUFFolk, GLOSTER and EXETER following. K. Hen. Your wondrous rare description, noble earl, Suff. Tush! my good lord! this superficial tale K. Hen. And otherwise will Henry ne'er presume. Glo. So should I give consent to flatter sin. How shall we then dispense with that contract, Suff. As doth a ruler with unlawful oaths; 1 A triumph then signified a public exhibition; such as a tournament, mask, or revel. To try his strength, forsaketh yet the lists A poor earl's daughter is unequal odds; And therefore may be broke without offence. Glo. Why, what, I pray, is Margaret more than that? Her father is no better than an earl, Suff. Yes, my good lord, her father is a king, Glo. And so the earl of Armagnac may do, Beside, his wealth doth warrant liberal While Reignier sooner will receive than give. king. That he should be so abject, base, and poor, And not to seek a queen to make him rich; Not whom we will, but whom his grace affects, Whom should we match with Henry, being a king, 1 By the intervention of another man's choice But Margaret, that is daughter to a king? As is fair Margaret, he be linked in love. Then yield, my lords; and here conclude with me, K. Hen. Whether it be through force of your report, My noble lord of Suffolk, or for that Such fierce alarums both of hope and fear, Take, therefore, shipping; post, my lord, to France, That lady Margaret do vouchsafe to come To cross the seas to England, and be crowned 1 1 To censure is here simply to judge. [Exit. 2 Grief, in this line, stands for pain, uneasiness; in the next following especially for sorrow." Glo. Ay, grief, I fear me, both at first and last. [Exeunt GLOSTER and EXETER. Suff. Thus Suffolk hath prevailed; and thus he goes, As did the youthful Paris once to Greece; With hope to find the like event in love, But prosper better than the Trojan did. Margaret shall now be queen, and rule the king; But I will rule both her, the king, and realm. [Exit. Or this play there is no copy carlier than that of the folio in 1623, though the two succeeding parts are extant in two editions in quarto. That the second and third parts were published without the first, may be admitted as no weak proof that the copies were surreptitiously obtained, and that the printers of that time gave the public those plays, not such as the author designed, but such as they could get them. That this play was written before the two others is indubitably collected from the series of events; that it was written and played before Henry the Fifth is apparent, because in the epilogue there is mention made of this play, and not of the other parts: "Henry the Sixth in swaddling bands crowned king; That they lost France, and made his England bleed; France is lost in this play. The two following contain, as the old title imports, the contention of the houses of York and Lancaster. The Second and Third Parts of Henry VI. were printed in 1600. When Henry V. was written, we know not; but it was printed likewise in 1600, and therefore before the publication of the first and second parts. The First Part of Henry VI. had been often shown on the stage, and would certainly have appeared in its place, had the author been the publisher. JOHNSON. THAT the second and third parts, as they are now called, were printed without the first, is a proof, in my apprehension, that they were not written by the same author; and the title of The Contention of the Houses of York and Lancaster, being affixed to the two pieces which were printed in quarto, is a proof that they were a distinct work, commencing where the other ended, but not written at the same time; and that this play was never known by the title of The First Part of King Henry VI. till Heminge and Condell gave it that name in their volume, to distinguish it from the two subsequent plays; which, being altered by Shakspeare, assumed the new titles of the Second and Third Parts of King Henry VI. that they might not be confounded with the original pieces on which they were formed. The first part was originally called The Historical Play of King Henry VI. MALONE. |