Shakspeare and His TimesHarper, 1852 - 360 pages |
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Page 10
... impression on all upon whom it simultaneously acts . For the proper de- velopment of these effects , a crowd must be assembled ; those ideas and feelings which would pass languidly from one man to another , traverse the serried ranks of ...
... impression on all upon whom it simultaneously acts . For the proper de- velopment of these effects , a crowd must be assembled ; those ideas and feelings which would pass languidly from one man to another , traverse the serried ranks of ...
Page 11
... impressions which they are capable of feel- ing , but which Eschylus alone is able to awaken . Such is the nature of dramatic poetry ; for the people it calls its creations into being , to the people it addresses itself SHAKSPEARE AND ...
... impressions which they are capable of feel- ing , but which Eschylus alone is able to awaken . Such is the nature of dramatic poetry ; for the people it calls its creations into being , to the people it addresses itself SHAKSPEARE AND ...
Page 13
... impressions and relations of which the higher classes are utterly ignorant , unless they are compelled to enter frequently into the public atmosphere . Dramatic art , when devoted to their pleasure , finds its domain greatly diminished ...
... impressions and relations of which the higher classes are utterly ignorant , unless they are compelled to enter frequently into the public atmosphere . Dramatic art , when devoted to their pleasure , finds its domain greatly diminished ...
Page 14
... impressions which it receives ; and it very frequently treats genius as a servant who is bound to please it , and not as a power that is ca- pable of governing it by the enjoyments which it can sup- ply . If the dramatic poet does not ...
... impressions which it receives ; and it very frequently treats genius as a servant who is bound to please it , and not as a power that is ca- pable of governing it by the enjoyments which it can sup- ply . If the dramatic poet does not ...
Page 38
... the author- ity of their predecessors . When afterward subjugated , and quickly deserted , Great Britain did not , like Gaul , receive a universal and profound impression of Roman civilization . 38 SHAKSPEARE AND HIS TIMES .
... the author- ity of their predecessors . When afterward subjugated , and quickly deserted , Great Britain did not , like Gaul , receive a universal and profound impression of Roman civilization . 38 SHAKSPEARE AND HIS TIMES .
Other editions - View all
SHAKSPEARE & HIS TIMES Francois 1787-1874 Guizot,Achille-Leon-Victor Duc De Broglie, 1. No preview available - 2016 |
Common terms and phrases
action actors admiration afterward amusement appear Banquo beauties become Ben Jonson brilliant Brutus Cæsar character chronicle circumstances comedy comic composed court crime death Desdemona desire destiny dramatic poetry Duke Duke of Austria effect Elizabeth emotions England entirely equally existence fact Falstaff father favor feelings festivities forms genius give habits Hamlet hand Henry Henry IV historical dramas Holinshed honor human Iago idea imagination impression inspired interest Julius Cæsar king King Lear Lear less liberty Lord Macbeth manner ment mind minstrels misfortune Molière Moor moral nature necessity never once original Othello passion peare peare's perhaps personages piece play pleasures poet poetic popular position possess present prince reason regard reign rendered Richard Richard III Romeo and Juliet says scene Shaks Shakspeare Shakspeare's sion soul spectator stage Stratford style success taste theatre thing thought tion tragedy tragic true truth unity Voltaire wife young
Popular passages
Page 283 - Speak of me as I am ; nothing extenuate, Nor set down aught in malice: then must you speak Of one that...
Page 274 - O, that the slave had forty thousand lives ! One is too poor, too weak for my revenge. Now do I see 'tis true. Look here, lago ; All my fond love thus do I blow to heaven : 'Tis gone. Arise, black vengeance, from thy hollow cell ! Yield up, O love, thy crown and hearted throne To tyrannous hate ! Swell, bosom, with thy fraught, For 'tis of aspics
Page 283 - No more of that ; — I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am ; nothing extenuate, Nor set down aught in malice...
Page 100 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.
Page 38 - Twas Christmas told the merriest tale ; A Christmas gambol oft could cheer The poor man's heart through half the year.
Page 322 - The First part of the Contention betwixt the two famous Houses of Yorke and Lancaster...
Page 40 - Come, my Corinna, come; and, coming, mark How each field turns a street, each street a park Made green and trimm'd with trees: see how Devotion gives each house a bough Or branch: each porch, each door, ere this An ark, a tabernacle is, Made up of white-thorn neatly interwove; As if here were those cooler shades of love.
Page 109 - Good friend, for Jesus' sake forbear To dig the dust enclosed here. Blessed be the man that spares these stones And cursed be he that moves my bones.
Page 40 - CORINNA'S GOING A-MAYING Get up, get up for shame! The blooming morn Upon her wings presents the god unshorn. See how Aurora throws her fair, Fresh-quilted colors through the air. Get up, sweet slug-a-bed, and see The dew bespangling herb and tree!
Page 163 - O my love! my wife! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty. Thou art not conquer'd; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.