Shakspeare and His TimesHarper, 1852 - 360 pages |
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Page 59
... Iago . For- tunately , we have reason to believe that applause , which was then so easily obtained , was not bestowed in a suffi- cient degree to tempt an ambition which the character of the young poet would have rendered it too easy ...
... Iago . For- tunately , we have reason to believe that applause , which was then so easily obtained , was not bestowed in a suffi- cient degree to tempt an ambition which the character of the young poet would have rendered it too easy ...
Page 82
... Iago in " Othello ; " but his character does not explain his conduct , or , to speak more correctly , he has no character ; and , always ready to cast off the rascal's cloak , in which the poet has enveloped him , as soon as the plot ...
... Iago in " Othello ; " but his character does not explain his conduct , or , to speak more correctly , he has no character ; and , always ready to cast off the rascal's cloak , in which the poet has enveloped him , as soon as the plot ...
Page 99
... Iago have penetrated , as Shakspeare has done , into the recesses of his execrable character ? To the horror with which he regards the criminal must be ascribed the ter- rible energy of the language which he puts into his mouth . Who ...
... Iago have penetrated , as Shakspeare has done , into the recesses of his execrable character ? To the horror with which he regards the criminal must be ascribed the ter- rible energy of the language which he puts into his mouth . Who ...
Page 141
... Iago is preparing to destroy it ; the Ghost which is to devote the life of Hamlet to the punishment of a crime , appears on the stage before he does ; and before we have seen Mac- beth virtuous , the utterance of his name by the Witches ...
... Iago is preparing to destroy it ; the Ghost which is to devote the life of Hamlet to the punishment of a crime , appears on the stage before he does ; and before we have seen Mac- beth virtuous , the utterance of his name by the Witches ...
Page 221
... Iago , and Desdemona real and living beings , who resemble no other , who present themselves in flesh and bone before the spectator - all entwined by the bonds of a common position , all carried away by the same event , yet each having ...
... Iago , and Desdemona real and living beings , who resemble no other , who present themselves in flesh and bone before the spectator - all entwined by the bonds of a common position , all carried away by the same event , yet each having ...
Other editions - View all
SHAKSPEARE & HIS TIMES Francois 1787-1874 Guizot,Achille-Leon-Victor Duc De Broglie, 1. No preview available - 2016 |
Common terms and phrases
action actors admiration afterward amusement appear Banquo beauties become Ben Jonson brilliant Brutus Cæsar character chronicle circumstances comedy comic composed court crime death Desdemona desire destiny dramatic poetry Duke Duke of Austria effect Elizabeth emotions England entirely equally existence fact Falstaff father favor feelings festivities forms genius give habits Hamlet hand Henry Henry IV historical dramas Holinshed honor human Iago idea imagination impression inspired interest Julius Cæsar king King Lear Lear less liberty Lord Macbeth manner ment mind minstrels misfortune Molière Moor moral nature necessity never once original Othello passion peare peare's perhaps personages piece play pleasures poet poetic popular position possess present prince reason regard reign rendered Richard Richard III Romeo and Juliet says scene Shaks Shakspeare Shakspeare's sion soul spectator stage Stratford style success taste theatre thing thought tion tragedy tragic true truth unity Voltaire wife young
Popular passages
Page 283 - Speak of me as I am ; nothing extenuate, Nor set down aught in malice: then must you speak Of one that...
Page 274 - O, that the slave had forty thousand lives ! One is too poor, too weak for my revenge. Now do I see 'tis true. Look here, lago ; All my fond love thus do I blow to heaven : 'Tis gone. Arise, black vengeance, from thy hollow cell ! Yield up, O love, thy crown and hearted throne To tyrannous hate ! Swell, bosom, with thy fraught, For 'tis of aspics
Page 283 - No more of that ; — I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am ; nothing extenuate, Nor set down aught in malice...
Page 100 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.
Page 38 - Twas Christmas told the merriest tale ; A Christmas gambol oft could cheer The poor man's heart through half the year.
Page 322 - The First part of the Contention betwixt the two famous Houses of Yorke and Lancaster...
Page 40 - Come, my Corinna, come; and, coming, mark How each field turns a street, each street a park Made green and trimm'd with trees: see how Devotion gives each house a bough Or branch: each porch, each door, ere this An ark, a tabernacle is, Made up of white-thorn neatly interwove; As if here were those cooler shades of love.
Page 109 - Good friend, for Jesus' sake forbear To dig the dust enclosed here. Blessed be the man that spares these stones And cursed be he that moves my bones.
Page 40 - CORINNA'S GOING A-MAYING Get up, get up for shame! The blooming morn Upon her wings presents the god unshorn. See how Aurora throws her fair, Fresh-quilted colors through the air. Get up, sweet slug-a-bed, and see The dew bespangling herb and tree!
Page 163 - O my love! my wife! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty. Thou art not conquer'd; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.