The Charles Whittinghams, Printers |
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Page 24
... Miss Mary Mead , who predeceased him , and who left no issue . Early in '95 the busy Uncle finds a new customer in " Mr. Badini , at the Opera House . " Still , nothing that we care for comes from the press- room until October , when ...
... Miss Mary Mead , who predeceased him , and who left no issue . Early in '95 the busy Uncle finds a new customer in " Mr. Badini , at the Opera House . " Still , nothing that we care for comes from the press- room until October , when ...
Page 99
... Miss Burney's " Evelina " being the first , and " Gil Blas , " in two volumes , the last ; the intermediate W.NUCHES & C . numbers ranging , according to the printer's list , from " Roderick Random " and " Humphrey Clinker " and " Tom ...
... Miss Burney's " Evelina " being the first , and " Gil Blas , " in two volumes , the last ; the intermediate W.NUCHES & C . numbers ranging , according to the printer's list , from " Roderick Random " and " Humphrey Clinker " and " Tom ...
Page 196
... Miss Charlotte Whittingham . Miss Byfield copied the borders of the original book , and Miss Char- lotte designed certain new ones to eke out the pages and maintain the variety . The additions harmonize so completely with the original ...
... Miss Charlotte Whittingham . Miss Byfield copied the borders of the original book , and Miss Char- lotte designed certain new ones to eke out the pages and maintain the variety . The additions harmonize so completely with the original ...
Page 196
... Miss Charlotte Whittingham . Miss Byfield copied the borders of the original book , and Miss Charlotte designed certain new ones to eke out the pages and maintain the variety . The additions harmonize so completely with the original ...
... Miss Charlotte Whittingham . Miss Byfield copied the borders of the original book , and Miss Charlotte designed certain new ones to eke out the pages and maintain the variety . The additions harmonize so completely with the original ...
Page 239
... miss her footfall on the floor , Amidst the nursery din , Her tip - tap at our bed - room door , Her bright face peeping in . And when to Heaven's high courts above Afcends our focial prayer , Though there are voices that we love , One ...
... miss her footfall on the floor , Amidst the nursery din , Her tip - tap at our bed - room door , Her bright face peeping in . And when to Heaven's high courts above Afcends our focial prayer , Though there are voices that we love , One ...
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Æsop ALDI apprentice Arliss Basil Montague Baskerville beauty Bewick black-letter block bookseller borders British called Caslon Charles Whittingham Charlotte Whittingham Chiswick Press color copper-plate Coventry Patmore craft cuts Dean Street decoration Designed by Charlotte Didot early Edition of 1829 Elizabeth Eleanor Whittingham English Engraved by John Engraved by Mary engraving on wood Enschedé fashion French George Peele hand-press Henry Henry Fourdrinier hundred copies illustrations imitation impressions John Thompson Lane ledgers letters lines London Longman Lord Mary Byfield master ment Miss Byfield Moxon Nephew Charles Nephew Whittingham old book old-style ornaments overlaying paper partnership Pickering's Pity's Gift Poems Prayer Book printer Printer Charles produced published Shakespeare style Summerly taste thee to hear Thomas Thomas Longman Thomas Stothard tingham tion title-page Took's Court trade type-founders types typography Uncle Whittingham venture volumes Whittingham printed wick Press William Pickering wood-engravings woodcut printing woodcuts
Popular passages
Page 249 - Complete Angler; or, The Contemplative Man's Recreation : being a Discourse of Rivers. Fishponds, Fish and Fishing, written by IZAAK WALTON ; and Instructions how to Angle for a Trout or Grayling in a clear Stream, by I CHARLES COTTON.
Page 263 - Lord. That it may please thee to give us true repentance ; to forgive us all our sins, negligences, and ignorances ; and to endue us with the grace of thy Holy Spirit to amend our lives according to thy holy Word ; We beseech thee to hear us, good Lord.
Page 163 - The mere sight of the little books published by Mr. Cundall — of which some thirty now lie upon my table — is as good as a nosegay. Their actual colours are as brilliant as a bed of tulips, and blaze with emerald, and orange, and cobalt, and gold, and crimson.
Page 262 - We befeech thee to hear us, good Lord. That it may pleafe thee to give and preferve to our ufe the kindly fruits of the earth, fo as in due time we may enjoy them...
Page 241 - And dreary seem the hours, and lone, That drag themselves along, Now from our board her smile is gone, And from our hearth her song. We miss that farewell laugh of hers, With its light, joyous sound, And the kiss between the balusters, When good-night time comes round. And empty is her little bed, And on her pillow there Must never rest that cherub head With its soft silken hair. But...
Page 138 - Collected and edited, with some account of his life and writings, by the Rev. Alexander Dyce, BA Second edition with additions in two volumes.
Page 262 - That it may please thee to preserve all that travel by land or by water, all women labouring of child, all sick persons, and young children ; and to shew thy pity upon all prisoners and captives; We beseech thee to hear us, good Lord.
Page 16 - It is surely a particular hardship, that I should not get bread in my own country (and it is too late to go abroad) after having acquired the reputation of excelling in the most useful art known to mankind; while every one who excels as a Player, Fiddler, Dancer, &c. not only lives in affluence, but has it in their power to save a fortune.
Page 15 - I have taken the liberty of sending you a specimen of mine, begun ten years ago at the age of forty-seven; and prosecuted ever since, with the utmost care and attention; on the strongest presumption, that if I could fairly excel in this divine art, it would make my affairs easy, or at least give me Bread. But, alas! in both I was mistaken.
Page 289 - A Handbook of the Art of Illumination, as practised during the Middle Ages.