Recreating Jane AustenRecreating Jane Austen is a book for readers who know and love Austen s work. Stimulated by the recent crop of film and television versions of Austen s novels, John Wiltshire examines how they have been transposed and recreated in another age and medium. Wiltshire illuminates the process of recreation through the work of the psychoanalyst Donald Winnicott, and offers Jane Austen s own relation to Shakespeare as a suggestive parallel. Exploring the romantic impulse in Austenian biography, Jane Austen as a commodity, and offering a re-interpretation of Pride and Prejudice, this book approaches the central question of the role Jane Austen plays in the contemporary cultural imagination. |
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... theory is drawn upon selectively . As a consequence , this book's handling of psychoanalytic theory may strike professionals in the field as decidedly sketchy . My excuse is it has been rarely applied to the discussion not of the ...
... theory is drawn upon selectively . As a consequence , this book's handling of psychoanalytic theory may strike professionals in the field as decidedly sketchy . My excuse is it has been rarely applied to the discussion not of the ...
Page 6
... theory differs strikingly from Freud's attempt to make sense of the aesthetic . ' Sublimation ' offers to instantiate a realm outside the domain of sexuality and yet always seemingly leads back into sexual determinants.23 Winnicott's theory ...
... theory differs strikingly from Freud's attempt to make sense of the aesthetic . ' Sublimation ' offers to instantiate a realm outside the domain of sexuality and yet always seemingly leads back into sexual determinants.23 Winnicott's theory ...
Page 7
... theory of creativity with the more commonly accepted notions of influence . I had thought of calling this book Jane Austen , Our Contemporary ' , to signal that Shakespeare is its secondary plot , its shadow subject . This would itself ...
... theory of creativity with the more commonly accepted notions of influence . I had thought of calling this book Jane Austen , Our Contemporary ' , to signal that Shakespeare is its secondary plot , its shadow subject . This would itself ...
Page 11
... theory of the later writer's relation to her predecessor that replaces the notion of influence by the more dynamic and fruitful notion of incorporation . Chapter 4 suggests that Austen's adaptation of the Shakespearean soliloquy to her ...
... theory of the later writer's relation to her predecessor that replaces the notion of influence by the more dynamic and fruitful notion of incorporation . Chapter 4 suggests that Austen's adaptation of the Shakespearean soliloquy to her ...
Page 22
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Contents
Imagining Jane Austens life | 13 |
Recreating Jane Austen Jane Austen in Manhattan Metropolitan Clueless | 38 |
An Englishwomans constitution Jane Austen and Shakespeare | 58 |
From drama to novel to film inwardness in Mansfield Park and Persuasion | 77 |
Pride and Prejudice love and recognition | 99 |
The genius and the facilitating environment | 125 |
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Common terms and phrases
adaptation Anne Anne's argued Audrey Austen in Manhattan Bennet Bingley biography Bridget Bridget Jones's Diary Cambridge Chapter character Cher's Clarendon Press Clueless contemporary critical cultural D. W. Winnicott Darcy Darcy's declares dialogue dramatic earlier Elizabeth Elizabeth Bennet Emma Emma's emotional Essays Fanny Price Fanny's fantasy Faye feelings Fiction figure film film's free indirect speech Freud Harding's heroine Honan Ian Watt Ibid identification imagination Imitation inner irony Jane Austen Jane Austen's novels Johnson Lady Lefroy letter Literary London Mansfield Park means Miss Bates mode mother narrative narrator Nokes Northanger Abbey notion novelist object original Oxford passage Pemberley perhaps Persuasion phrase play present Pride and Prejudice Psychoanalysis psychological reader reading reality recognition recreation relation remarks resembles romantic Routledge says scene Sense and Sensibility Shakespeare simultaneously social soliloquy Southam suggest theory thinking thought tion Tom Lefroy Tomalin University Press whilst Whit Stillman words writes York