Narrative Design: Working with Imagination, Craft, and FormFocusing on the big picture as well as the crucial details, Bell examines twelve stories by both established writers (including Peter Taylor, Mary Gaitskill, and Carolyn Chute) and his own former students. A story's use of time, plot, character, and other elements of fiction are analyzed, and readers are challenged to see each story's flaws and strengths. Careful endnotes bring attention to the ways in which various writers use language. Bell urges writers to develop the habit of thinking about form and finding the form that best suits their subject matter and style. His direct and practical advice allows writers to find their own voice and imagination. |
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LibraryThing Review
User Review - ElizabethAndrew - LibraryThingAn in-depth study of form in fiction. Bell posits two categories of structure: linear and module. Smart readings of examples, but not much advice about process--how to find a form fitting for your content. Read full review
LibraryThing Review
User Review - labwriter - LibraryThingNot your usual writing how-to. I found it tremendously useful. For each story he analyzes plot, character, tone, point of view, dialogue, symbolism, and design. This is a workbook, not a theory or ... Read full review
Contents
PREFACE | |
UNCONSCIOUS MIND | 1 |
LINEAR DESIGN | 23 |
Depth Charge | 33 |
ANALYSIS | 45 |
Character | 47 |
Time Management | 48 |
Suspense | 49 |
ANALYSIS | 221 |
Character | 222 |
Point of View | 223 |
Imagery | 224 |
NOTES | 227 |
Lizzie Annie and Rosies Rescure of Me | 232 |
ANALYSIS | 243 |
Character | 244 |
Imagery | 50 |
Theme | 51 |
NOTES | 52 |
A Wife of Nashville | 61 |
ANALYSIS | 80 |
Character | 81 |
Tone | 84 |
Time Management | 86 |
Design | 88 |
NOTES | 90 |
Daisys Valentine by Mary Gaitskill | 98 |
ANALYSIS | 114 |
Character | 115 |
Tone | 117 |
Point of View | 118 |
Dialogue | 119 |
Suspense | 120 |
Design | 121 |
NOTES | 123 |
Hear That Long Train Moan | 132 |
ANALYSIS | 136 |
Character | 137 |
Tone | 138 |
Dialogue | 139 |
Design | 141 |
NOTES | 143 |
Oh Man Alive | 147 |
ANALYSIS | 154 |
Character | 155 |
Tone | 156 |
Dialogue | 157 |
Design | 159 |
NOTES | 160 |
The Sky Is Gray | 165 |
ANALYSIS | 188 |
Character | 189 |
Tone | 193 |
Point of View | 194 |
Imagery and Description | 195 |
Time Management | 196 |
Design | 197 |
NOTES | 200 |
MODULAR DESIGN | 211 |
Sign of Life | 217 |
Tone | 245 |
Point of View | 246 |
Imagery and Description | 247 |
Design | 248 |
NOTES | 251 |
The Child Downstairs | 257 |
ANALYSIS | 263 |
Character | 264 |
Tone | 266 |
Point of View | 267 |
Imagery and Description | 268 |
Design | 269 |
NOTES | 270 |
Red Hand | 276 |
ANALYSIS | 282 |
Character | 283 |
Tone | 284 |
Point of View | 285 |
Time Management | 287 |
Dialogue | 288 |
Design | 291 |
NOTES | 293 |
Comic Strip | 300 |
ANALYSIS | 312 |
Character | 314 |
Tone | 316 |
Point of View | 317 |
Time Management | 318 |
Suspense | 319 |
Design | 323 |
NOTES | 326 |
Little Red | 336 |
ANALYSIS | 346 |
Character | 348 |
Tone | 349 |
Imagery and Description | 351 |
Design | 352 |
NOTES | 356 |
A Philosophy of Composition | 363 |
Glossary of Terms | 371 |
Contributions | 375 |
Permissions Acknowledgments | |
Other editions - View all
Narrative Design: Working with Imagination, Craft, and Form Madison Smartt Bell Limited preview - 2000 |
Common terms and phrases
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