Othello: New PerspectivesVirginia Mason Vaughan, Kent Cartwright |
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Page 55
... thought Too hideous to be shown . Thou dost mean something . ( 3.3.101-8 ) It is a measure of Iago's rhetorical acumen that in what Puttenham calls " redoubling " the last word of Othello's question , " honest , " 15 Iago turns the ...
... thought Too hideous to be shown . Thou dost mean something . ( 3.3.101-8 ) It is a measure of Iago's rhetorical acumen that in what Puttenham calls " redoubling " the last word of Othello's question , " honest , " 15 Iago turns the ...
Page 58
... thought / Too hideous to be shown , " an echoing that at once conceals the mon- ster in Iago's thought only to reveal the monster Othello himself has conceived . " Give thy worst of thoughts / The worst of words " ( 132– 33 ) , Othello ...
... thought / Too hideous to be shown , " an echoing that at once conceals the mon- ster in Iago's thought only to reveal the monster Othello himself has conceived . " Give thy worst of thoughts / The worst of words " ( 132– 33 ) , Othello ...
Page 128
... thought t ' have yerked him here under the ribs . ' Tis better as it is . ( 1-6 ) His hypocrisy is obvious , and there may be another suggestion that a part lies beneath his surface characterization ( “ I lack iniquity ” ) . But there ...
... thought t ' have yerked him here under the ribs . ' Tis better as it is . ( 1-6 ) His hypocrisy is obvious , and there may be another suggestion that a part lies beneath his surface characterization ( “ I lack iniquity ” ) . But there ...
Contents
List of Contributors | 9 |
The Second Quarto of Othello and the Question | 26 |
What needs | 48 |
Copyright | |
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action appears asks associated attempt audience authority becomes body called Cambridge Cassio character close comes course create critics Desdemona direct discussion earlier edition editors effect Elizabethan Emilia emotional essay evidence example eyes fall feel female figure final gaze give hand honest Iago Iago's innocent kind lago language later light London look male meaning mind Moor murder nature never night once opening Othello passion perception performance person play play's playgoer position possible present properties quarto question readers reading reference repetition represents response reveals rhetorical Roderigo scene seems sense Shakespeare shot shows soliloquy speak spectators speech stage suggest tells Theatre theory things thou thought tion tragedy Tree turn understand University Press voice wife woman women York