Othello: New PerspectivesVirginia Mason Vaughan, Kent Cartwright |
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Page 49
... repetition and interrogation in Othello " operate " in a diversity of ways and with a polyphony of resonance that complicate our experience of the play and underscore the complex- ity that its students , at least since the time of Rymer ...
... repetition and interrogation in Othello " operate " in a diversity of ways and with a polyphony of resonance that complicate our experience of the play and underscore the complex- ity that its students , at least since the time of Rymer ...
Page 51
... repetition and interrogation one encounters seem very much the accouter- ments of mimetic fidelity , with the impression of rhetorical elo- quence they impart to the play a measure of its thematic elegance . Investing the play with that ...
... repetition and interrogation one encounters seem very much the accouter- ments of mimetic fidelity , with the impression of rhetorical elo- quence they impart to the play a measure of its thematic elegance . Investing the play with that ...
Page 68
... repetition of the details and con- ventions of its narrative sources , its repetition is , again , one with a " difference . " At the outset of " The Albanian Captain " Fenton promises to " expose " to his readers " a miserable accident ...
... repetition of the details and con- ventions of its narrative sources , its repetition is , again , one with a " difference . " At the outset of " The Albanian Captain " Fenton promises to " expose " to his readers " a miserable accident ...
Contents
List of Contributors | 9 |
The Second Quarto of Othello and the Question | 26 |
What needs | 48 |
Copyright | |
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action appears asks associated attempt audience authority becomes body called Cambridge Cassio character close comes course create critics Desdemona direct discussion earlier edition editors effect Elizabethan Emilia emotional essay evidence example eyes fall feel female figure final gaze give hand honest Iago Iago's innocent kind lago language later light London look male meaning mind Moor murder nature never night once opening Othello passion perception performance person play play's playgoer position possible present properties quarto question readers reading reference repetition represents response reveals rhetorical Roderigo scene seems sense Shakespeare shot shows soliloquy speak spectators speech stage suggest tells Theatre theory things thou thought tion tragedy Tree turn understand University Press voice wife woman women York