Othello: New PerspectivesVirginia Mason Vaughan, Kent Cartwright |
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Page 53
... question by repeating it when Othello gives Desdemona her first hint that he might , indeed , be subject to that ... question , " Is't possible ?, " a " question " to be taken , one presumes , not as a genuine solicitation for ...
... question by repeating it when Othello gives Desdemona her first hint that he might , indeed , be subject to that ... question , " Is't possible ?, " a " question " to be taken , one presumes , not as a genuine solicitation for ...
Page 55
... question and repetition in the scene suggest a discourse calling attention to its own power , its power to elude the control of those who would manipulate it and to confuse " what is real " with " what is possible . " In the unfolding ...
... question and repetition in the scene suggest a discourse calling attention to its own power , its power to elude the control of those who would manipulate it and to confuse " what is real " with " what is possible . " In the unfolding ...
Page 69
... question in its very framing would appear to prescribe its answer and obviate further questions . For once the ... question he had moments before uttered , a question bound to do little to eluci- date the tragedy of Othello , but just ...
... question in its very framing would appear to prescribe its answer and obviate further questions . For once the ... question he had moments before uttered , a question bound to do little to eluci- date the tragedy of Othello , but just ...
Contents
List of Contributors | 9 |
The Second Quarto of Othello and the Question | 26 |
What needs | 48 |
Copyright | |
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action appears asks associated attempt audience authority becomes body called Cambridge Cassio character close comes course create critics Desdemona direct discussion earlier edition editors effect Elizabethan Emilia emotional essay evidence example eyes fall feel female figure final gaze give hand honest Iago Iago's innocent kind lago language later light London look male meaning mind Moor murder nature never night once opening Othello passion perception performance person play play's playgoer position possible present properties quarto question readers reading reference repetition represents response reveals rhetorical Roderigo scene seems sense Shakespeare shot shows soliloquy speak spectators speech stage suggest tells Theatre theory things thou thought tion tragedy Tree turn understand University Press voice wife woman women York