Othello: New PerspectivesVirginia Mason Vaughan, Kent Cartwright |
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Page 165
... murder shouted from the rooftops . Audiences may be particularly desperate for explosive relief , since Othello's murder of Desdemona , as an act of violence , lingers as maddeningly incomplete . Though he has promised to spill her ...
... murder shouted from the rooftops . Audiences may be particularly desperate for explosive relief , since Othello's murder of Desdemona , as an act of violence , lingers as maddeningly incomplete . Though he has promised to spill her ...
Page 197
... murder , was seizing Iago while demanding “ ocular proof . " By removing Othello's dem- onstrations of ferocity , Tree could , as he intended , throw into . greater relief his one ultimate act of violence - Desdemona's murder . For some ...
... murder , was seizing Iago while demanding “ ocular proof . " By removing Othello's dem- onstrations of ferocity , Tree could , as he intended , throw into . greater relief his one ultimate act of violence - Desdemona's murder . For some ...
Page 206
... murder scene . During the course of the revival , the melodious music and the repetition of Desdomona's theme kept this character in the action's foreground , pointing continually , especially through the repeated use of the Willow song ...
... murder scene . During the course of the revival , the melodious music and the repetition of Desdomona's theme kept this character in the action's foreground , pointing continually , especially through the repeated use of the Willow song ...
Contents
List of Contributors | 9 |
The Second Quarto of Othello and the Question | 26 |
What needs | 48 |
Copyright | |
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action appears asks associated attempt audience authority becomes body called Cambridge Cassio character close comes course create critics Desdemona direct discussion earlier edition editors effect Elizabethan Emilia emotional essay evidence example eyes fall feel female figure final gaze give hand honest Iago Iago's innocent kind lago language later light London look male meaning mind Moor murder nature never night once opening Othello passion perception performance person play play's playgoer position possible present properties quarto question readers reading reference repetition represents response reveals rhetorical Roderigo scene seems sense Shakespeare shot shows soliloquy speak spectators speech stage suggest tells Theatre theory things thou thought tion tragedy Tree turn understand University Press voice wife woman women York