Othello: New PerspectivesVirginia Mason Vaughan, Kent Cartwright |
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Page 62
... light , " Othello instructs himself , " and then put out the light " ( 7 ) . In repeating the words , Othello turns the self - instruction into a self - referential trope , and what begins as the preparative to the killing of Desdemona ...
... light , " Othello instructs himself , " and then put out the light " ( 7 ) . In repeating the words , Othello turns the self - instruction into a self - referential trope , and what begins as the preparative to the killing of Desdemona ...
Page 179
... light properties combine with the verbal text to suggest that the action lasts only three nights and two days , though no indication is given that this time is con- secutive . Like the letters , the light properties not only help ...
... light properties combine with the verbal text to suggest that the action lasts only three nights and two days , though no indication is given that this time is con- secutive . Like the letters , the light properties not only help ...
Page 180
... light relume . ( 5.2.10-13 ) This taper makes of her death - bed a sacrificial altar , one upon which man's love of life and hope of heaven are annihilated.9 Othello associates Desdemona's brief life , her ardent love , and her fragile ...
... light relume . ( 5.2.10-13 ) This taper makes of her death - bed a sacrificial altar , one upon which man's love of life and hope of heaven are annihilated.9 Othello associates Desdemona's brief life , her ardent love , and her fragile ...
Contents
List of Contributors | 9 |
The Second Quarto of Othello and the Question | 26 |
What needs | 48 |
Copyright | |
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action appears asks associated attempt audience authority becomes body called Cambridge Cassio character close comes course create critics Desdemona direct discussion earlier edition editors effect Elizabethan Emilia emotional essay evidence example eyes fall feel female figure final gaze give hand honest Iago Iago's innocent kind lago language later light London look male meaning mind Moor murder nature never night once opening Othello passion perception performance person play play's playgoer position possible present properties quarto question readers reading reference repetition represents response reveals rhetorical Roderigo scene seems sense Shakespeare shot shows soliloquy speak spectators speech stage suggest tells Theatre theory things thou thought tion tragedy Tree turn understand University Press voice wife woman women York