Othello: New PerspectivesVirginia Mason Vaughan, Kent Cartwright |
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Page 142
... innocent Desdemona . Othello is still of two minds : " I think my wife be honest , and think she is not " ( 384 ) . Othello's suspicion of Desdemona does not gradu- ally increase , nor does his perception at some single decisive mo ...
... innocent Desdemona . Othello is still of two minds : " I think my wife be honest , and think she is not " ( 384 ) . Othello's suspicion of Desdemona does not gradu- ally increase , nor does his perception at some single decisive mo ...
Page 143
... innocent Desdemona.6 Shortly after he kills Desdemona , Othello's perception changes again . On what basis ? Othello sees an innocent Desdemona when he sees a guilty Iago . Othello's final perception of Desdemona is still inextricable ...
... innocent Desdemona.6 Shortly after he kills Desdemona , Othello's perception changes again . On what basis ? Othello sees an innocent Desdemona when he sees a guilty Iago . Othello's final perception of Desdemona is still inextricable ...
Page 149
... innocent . This syllogism resembles that by which Othello sees an innocent Desde- mona at the end of the play . But these syllogisms are as dubious as those that lead Othello to see a guilty Desdemona . And my syl- logism inextricably ...
... innocent . This syllogism resembles that by which Othello sees an innocent Desde- mona at the end of the play . But these syllogisms are as dubious as those that lead Othello to see a guilty Desdemona . And my syl- logism inextricably ...
Contents
List of Contributors | 9 |
The Second Quarto of Othello and the Question | 26 |
What needs | 48 |
Copyright | |
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action appears asks associated attempt audience authority becomes body called Cambridge Cassio character close comes course create critics Desdemona direct discussion earlier edition editors effect Elizabethan Emilia emotional essay evidence example eyes fall feel female figure final gaze give hand honest Iago Iago's innocent kind lago language later light London look male meaning mind Moor murder nature never night once opening Othello passion perception performance person play play's playgoer position possible present properties quarto question readers reading reference repetition represents response reveals rhetorical Roderigo scene seems sense Shakespeare shot shows soliloquy speak spectators speech stage suggest tells Theatre theory things thou thought tion tragedy Tree turn understand University Press voice wife woman women York