Othello: New PerspectivesVirginia Mason Vaughan, Kent Cartwright |
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Page 139
... evidence is unncessary . It is possible to see any new evidence as suspicious if one sees it through suspicious eyes . If one assumes that Desdemona is consistently deceitful , one sees apparently af- fectionate behavior as hypocrisy ...
... evidence is unncessary . It is possible to see any new evidence as suspicious if one sees it through suspicious eyes . If one assumes that Desdemona is consistently deceitful , one sees apparently af- fectionate behavior as hypocrisy ...
Page 143
... evidence . But he must work hard to maintain the perception of a guilty Desdemona and to suppress the perception of an innocent Desdemona.6 Shortly after he kills Desdemona , Othello's perception changes again . On what basis ? Othello ...
... evidence . But he must work hard to maintain the perception of a guilty Desdemona and to suppress the perception of an innocent Desdemona.6 Shortly after he kills Desdemona , Othello's perception changes again . On what basis ? Othello ...
Page 156
... evidence that are equivocal and by providing separate pieces of evidence that are inconsistent , Othello tempts playgoers to form questionable perceptions and thereby , in one way or another , to do what Othello does . A playgoer cannot ...
... evidence that are equivocal and by providing separate pieces of evidence that are inconsistent , Othello tempts playgoers to form questionable perceptions and thereby , in one way or another , to do what Othello does . A playgoer cannot ...
Contents
List of Contributors | 9 |
The Second Quarto of Othello and the Question | 26 |
What needs | 48 |
Copyright | |
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action appears asks associated attempt audience authority becomes body called Cambridge Cassio character close comes course create critics Desdemona direct discussion earlier edition editors effect Elizabethan Emilia emotional essay evidence example eyes fall feel female figure final gaze give hand honest Iago Iago's innocent kind lago language later light London look male meaning mind Moor murder nature never night once opening Othello passion perception performance person play play's playgoer position possible present properties quarto question readers reading reference repetition represents response reveals rhetorical Roderigo scene seems sense Shakespeare shot shows soliloquy speak spectators speech stage suggest tells Theatre theory things thou thought tion tragedy Tree turn understand University Press voice wife woman women York