Othello: New PerspectivesVirginia Mason Vaughan, Kent Cartwright |
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Page 19
... audience's repeated desire to stop the action.29 The audience , Goldman observed , enters into Othello's imagination and recoils from his destruction , a response it does not share with respect to Shakespeare's other tragic heroes ...
... audience's repeated desire to stop the action.29 The audience , Goldman observed , enters into Othello's imagination and recoils from his destruction , a response it does not share with respect to Shakespeare's other tragic heroes ...
Page 167
... audience as presentational acting , but her isolation actually privileges the self - dramatization . The spectacle barely pauses . Indeed , the moving camera lingers upon ... audience Audience Response and the Denouement of Othello 167.
... audience as presentational acting , but her isolation actually privileges the self - dramatization . The spectacle barely pauses . Indeed , the moving camera lingers upon ... audience Audience Response and the Denouement of Othello 167.
Page 173
... audience - to reveal it- self . Othello will say , then , what the presence of an audience most invites ; his personality will tilt emotion toward oratory , self - revela- tion toward rhetoric . Othello speaks as a reporter to other ...
... audience - to reveal it- self . Othello will say , then , what the presence of an audience most invites ; his personality will tilt emotion toward oratory , self - revela- tion toward rhetoric . Othello speaks as a reporter to other ...
Contents
List of Contributors | 9 |
The Second Quarto of Othello and the Question | 26 |
What needs | 48 |
Copyright | |
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action appears asks associated attempt audience authority becomes body called Cambridge Cassio character close comes course create critics Desdemona direct discussion earlier edition editors effect Elizabethan Emilia emotional essay evidence example eyes fall feel female figure final gaze give hand honest Iago Iago's innocent kind lago language later light London look male meaning mind Moor murder nature never night once opening Othello passion perception performance person play play's playgoer position possible present properties quarto question readers reading reference repetition represents response reveals rhetorical Roderigo scene seems sense Shakespeare shot shows soliloquy speak spectators speech stage suggest tells Theatre theory things thou thought tion tragedy Tree turn understand University Press voice wife woman women York