Walter Sickert: The Complete Writings on ArtWalter Richard Sickert (1860-1942) was a major European artist and critic of the late nineteenth and early twentieth century, whose statements on art from the 1880s to the 1930s have been used by artists and writers for more than half a century. Containing over 400 entries, this collection offers new insight into Sickert as an artist and provides valuable information about other British artists of the late nineteenth and early twentieth centuries. |
Contents
The New English Art Club First Notice New York Herald | 7 |
ImpressionismTrue and False Pall Mall Gazette 2 February | 11 |
Statue of the King Daily Telegraph 3 September 1936 685 | 18 |
Drawing Messrs Dowdeswells Galleries First Notice | 26 |
Mr Walter Sickert on Impressionist Art | 56 |
The Royal Academy Exhibition Art Weekly 10 May 1890 | 69 |
The New English Art Club and its Aims Pall Mall Gazette | 80 |
Painters and the Public Pall Mall Gazette 30 April 1892 | 95 |
A Stone Ginger The New Age 19 March 1914 | 343 |
Drawing from the Cast The New Age 23 April 1914 | 356 |
Whitechapel The New Age 28 May 1914 | 371 |
Pictures From the Basildon | 384 |
The London Group Burlington Magazine | 400 |
Spencer Frederick Gore Carfax Co February 1916 | 402 |
Forain Burlington Magazine May 1916 | 409 |
Walter Bayes Leicester Galleries March 1918 | 422 |
Two Exhibitions The Speaker 7 November 1896 | 108 |
Transfer Lithography Saturday Review 26 December 1896 | 121 |
The Royal Academy The Sun 10 February 1897 | 135 |
Ford Madox Brown The Speaker 27 February 1897 | 143 |
The New English Art Club The Speaker 17 April 1897 | 157 |
Van Beers and Menpes The Speaker 22 May 1897 | 170 |
Holbeins Duchess of Milan Morning Post 11 May 1909 | 188 |
Solomon J Solomon Art News 10 March 1910 | 202 |
All We Like Sheep Art News 14 April 1910 | 216 |
The Aesthete and the Plain Man Art News 5 May 1910 | 225 |
Sargentolatry The New Age 19 May 1910 | 232 |
Culture for the EastEnd Art News 26 May 1910 | 238 |
The Study of Drawing The New Age 16 June 1910 | 247 |
SoupKitchens or Trade The New Age 7 July 1910 | 255 |
The Language of Art The New Age 28 July 1910 | 264 |
Little Pictures for Little Patrons The New Age 11 August 1910 | 271 |
LAffaire Greaves The New Age 15 June 1911 | 282 |
The Old Ladies of Etchingneedle Street English Review | 288 |
Mr Sickerts Art Teaching Westminster Gazette 4 January 1912 | 296 |
The Futurist DevilamongtheTailors English Review | 304 |
The Works of Whistler The New Age 4 April 1912 | 310 |
The Art of Mr Sickert The New Age 13 June 1912 | 321 |
Law of Distortion Pall Mall Gazette 8 July 1912 | 329 |
Art Masters and Artists Daily News and Leader 11 April 1913 | 330 |
Rops New Statesman 22 February 1919 | 430 |
June 1922 | 436 |
Art in Oxford Passive and Active Study Morning Post | 444 |
The Derby Day Burlington Magazine December 1922 | 453 |
The Wertheimer Portraits The Times 13 March 1923 | 460 |
NineteenthCentury French Painters at Messrs | 466 |
Straws from Cumberland Market Southport Visiter 24 January | 480 |
A Great Renoir Southport Visiter 24 May 1924 | 497 |
Letter Sunday Times 29 March 1925 | 510 |
Queen Victoria at Westminster The Times 7 July 1925 | 523 |
The Arithmetic of Beauty Manchester Guardian 9 February 1926 | 536 |
Old Masters and Living Artists The Times 1 December 1926 | 549 |
LesserKnown Artists The Times 24 November 1927 | 559 |
Authentic Paintings Whistler Owners Plan to Pay | 572 |
Epstein and Modern Sculpture Mr Sickerts Championship | 576 |
A Professor of Painting The Times 4 July 1929 | 589 |
Mr Brangwyns Panels The Times 21 March 1930 | 604 |
Free Trade in Art The Times 17 February 1932 | 617 |
Our Debt to French Art A Rejoinder to Lord Lee Daily | 619 |
Drawing from Nature lecture 26 October 1934 | 632 |
Importance of Scale lecture 16 November 1934 | 649 |
Modern Art and Life Daily Telegraph 25 April 1935 | 675 |
September 1936 | 686 |
693 | |
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Common terms and phrases
achievement admirable art critic Art Gallery artist beauty Bond Street brush Burne-Jones called canvas catalogue Cézanne Charles Keene collection colour Corot Courbet D. S. MacColl dealers decorative Degas draughtsman drawing elected England English Art Club engraving etcher etching exhibition expression exquisite eyes fact figure Ford Madox Brown France French George give Goupil Gallery hand Herkomer illus illustrations Impressionism Impressionist interest James Jean François Millet John Lady landscape Leighton light lithographs living London look Manet master means Millet modern Monet Museum National Gallery nature never nude painter painting Pall Mall Gazette paper Paris Pennell perhaps picture Pissarro portrait remember Roger Fry Royal Academy Salon Sargent Sickert is referring sketch Society Spielmann talent Tate Gallery things tion truth WALTER SICKERT water-colour Whistler William word writing YMSM York Herald