Liberation of the ActorThe artist was once a messenger of the gods. Breathing in, the Greek actor was lifted into a realm of thought and inspiration. And breathing out, the will was strengthened. Can modern actors again become messengers through their own power of description and dramatization? Anyone with an interest in the spoken word, acting, or the future of the theater in general will welcome this book. The author goes beyond simple character study and interpretation to reexamine the forgotten esoteric aspects of acting. Based on Rudolf Steiner's ideas on speech and drama, Bridgmont provides a new basis for the true liberation of actors today. |
Contents
Epic Dramatic and Lyric Moods | 115 |
Exercises for Lyric Epic and Dramatic Speaking | 122 |
Deductive Drama | 135 |
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Common terms and phrases
acting action activity actor allow appearance approach artist attitude audience aware become begin behaviour believe body breath bring carried CHAPTER character Clifford comes complete consonants create dance DAVID dead describe develop drama dynamic effective energy epic exercise experience expression eyes familiar FATHER fear feeling Finally forward gesture give HAMLET hand hear hold human idea imagination inner invisible leave listener live look lost mean mime mood MOTHER mouth move movement nature object OTHELLO perform perhaps physical picture play position preparation Press push reach release remember scene sense silence situation soul sound space speaker speaking spear speech spoken stage stand stepping style theatre things thou thought throwing tone true turn voice vowel weight wish