Women, Celebrity, and Literary Culture between the Wars

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University of Texas Press, Dec 3, 2009 - Literary Criticism - 271 pages
As mass media burgeoned in the years between the first and second world wars, so did another phenomenon—celebrity. Beginning in Hollywood with the studio-orchestrated transformation of uncredited actors into brand-name stars, celebrity also spread to writers, whose personal appearances and private lives came to fascinate readers as much as their work. Women, Celebrity, and Literary Culture between the Wars profiles seven American, Canadian, and British women writers—Dorothy Parker, Anita Loos, Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and E. M. Delafield—who achieved literary celebrity in the 1920s and 1930s and whose work remains popular even today. Faye Hammill investigates how the fame and commercial success of these writers—as well as their gender—affected the literary reception of their work. She explores how women writers sought to fashion their own celebrity images through various kinds of public performance and how the media appropriated these writers for particular cultural discourses. She also reassesses the relationship between celebrity culture and literary culture, demonstrating how the commercial success of these writers caused literary elites to denigrate their writing as “middlebrow,” despite the fact that their work often challenged middle-class ideals of marriage, home, and family and complicated class categories and lines of social discrimination. The first comparative study of North American and British literary celebrity, Women, Celebrity, and Literary Culture between the Wars offers a nuanced appreciation of the middlebrow in relation to modernism and popular culture.
 

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Contents

Introduction
1
Dorothy Parker Vogue and Vanity Fair
27
Anita Looss Gentlemen Prefer Blondes
55
Mae West as Author
76
L M Montgomery Anne of Green Gables and Early Hollywood
100
Margaret Kennedys The Constant Nymph
124
Stella Gibbonss Cold Comfort Farm
152
E M Delafields Diary of a Provincial Lady
179
Conclusion
207
Notes
213
Bibliography
233
Index
251
Copyright

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Page 9 - Modernism constituted itself through a conscious strategy of exclusion, an anxiety of contamination by its other: an increasingly consuming and engulfing mass culture.

About the author (2009)

FAYE HAMMILL is a senior lecturer in English at the University of Strathclyde in Glasgow

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