Robert Duncan: The Collected Later Poems and PlaysProfoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert DuncanÕs collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work. The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of GŽrard de Nerval, as well as the complete Structure of Rime and Passages series. Ê |
Contents
| xix | |
| 3 | |
| 16 | |
| 34 | |
| 48 | |
The Structure of Rime VIII | 64 |
After Reading Barely and Widely | 80 |
A Stray Poem Notes Reading from Rene FulopMillers | 91 |
Wine Passages 12 | 325 |
Chords Passages 14 | 336 |
Saint Graal after Verlaine | 343 |
The Earth Passages 19 | 353 |
In the Place of a Passage 22 | 360 |
Up Rising Passages 25 | 366 |
Earths Winter Song | 376 |
Narrative Bridges for Adams Way | 383 |
Preface | 97 |
Night Scenes | 103 |
A Letter | 113 |
A Dancing Concerning a Form of Women | 120 |
Apprehensions | 126 |
Sonneries of the Rose Cross | 137 |
Cover Images | 146 |
Four Songs the Night Nurse Sang | 152 |
Structure of Rime XVIII | 159 |
Windings | 162 |
Returning to the Rhetoric of an Early Mode | 176 |
A Set of Romantic Hymns | 193 |
Sonnet I | 206 |
Cyparissus | 244 |
A Play with Masks | 259 |
Weaving the Design | 286 |
Introduction | 293 |
Sonnet 4 | 301 |
At the Loom Passages 2 | 307 |
The Collage Passages 6 | 313 |
The Architecture Passages 9 | 319 |
The Soldiers Passages 26 | 392 |
Transgressing the Real Passages 27 | 400 |
Stage Directions Passages 30 | 407 |
Epilogos | 413 |
Berkeley after | 419 |
care deeply and yet | 423 |
Some Notes on Notation | 431 |
Ancient Questions | 437 |
Ancient Reveries and Declamations Passages 32 | 445 |
Transmissions Passages 33 Tribunals | 451 |
The Feast Passages 34 Tribunals | 457 |
Santa Cruz Propositions | 470 |
A Glimpse | 482 |
Bring It Up from the Dark | 488 |
Interrupted Forms | 497 |
Poems from the Margins of Thom Gunns Moly | 498 |
A Seventeenth Century Suite in Homage to the Metaphysical | 506 |
Dante Études | 534 |
Moving the Moving Image Passages 17 348 | 806 |
Common terms and phrases
Adam Anubis BARD beauty Blaser blood Bobbin body burning calld Charles Olson cold comes Cyparissus dance dark death Denise Levertov dream Duncan earth Erda Erin Mouré eternal eyes face fall Father fear fire flame green ground hand head hear heard heart Hell herMes Horse with Horns Jan Zwicki Jess Collins Kabbalah kiss light lilith Lord lover magic Magus man’s mask melody mind Moon mother move night numbers once orders Orphic Osiris Passages play poem poet poetry Pook rage remember rising Robert Duncan Robin Blaser Romantic Muse saMael SCOLD seed shadows shaking sight silence sing sleep song soul sound spirit springs stars stone Structure of Rime sun’s Tankletum things thought thru thruout tree truth turn turnd University at Buffalo voice wind woman words writing

