Robert Duncan: The Collected Later Poems and Plays

Front Cover
Univ of California Press, Jan 4, 2014 - Literary Criticism - 869 pages
Profoundly original yet insistent on the derivative quality of his work, transgressive yet affirmative of tradition, Robert Duncan (1919-1988) was a generative force among American poets, and his poetry and poetics establish him as a major figure in mid- and late- 20th-century American letters. This second volume of Robert DuncanÕs collected poetry and plays presents authoritative annotated texts of both collected and uncollected work from his middle and late writing years (1958-1988), with commentaries on each of the five books from this period: The Opening of the Field, Roots and Branches, Bending the Bow, and the two volumes of Ground Work.

The biographical and critical introduction discusses Duncan as a late Romantic and postmodern American writer; his formulation of a homosexual poetics; his development of the serial poem; the notation and centrality of sound as organizing principle; his relations with such fellow poets as Robin Blaser, Charles Olson, and Jack Spicer; his indebtedness to Alfred North Whitehead; and his collaborations with the painter Jess Collins, his lifelong partner. Texts include his anti-war poems of the 1960s and 70s, his homages to Dante and other canonical poets, and his translations from the French of GŽrard de Nerval, as well as the complete Structure of Rime and Passages series.
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Contents

Preface
xix
Am Permitted to Return to a Meadow
3
Three Pages from a Birthday Book
16
Four Pictures of the Real Universe
34
The Question
48
The Structure of Rime VIII
64
After Reading Barely and Widely
80
A Stray Poem Notes Reading from Rene FulopMillers
91
Wine Passages 12
325
Chords Passages 14
336
Saint Graal after Verlaine
343
The Earth Passages 19
353
In the Place of a Passage 22
360
Up Rising Passages 25
366
Earths Winter Song
376
Narrative Bridges for Adams Way
383

Preface
97
Night Scenes
103
A Letter
113
A Dancing Concerning a Form of Women
120
Apprehensions
126
Sonneries of the Rose Cross
137
Cover Images
146
Four Songs the Night Nurse Sang
152
Structure of Rime XVIII
159
Windings
162
Returning to the Rhetoric of an Early Mode
176
A Set of Romantic Hymns
193
Sonnet I
206
Cyparissus
244
A Play with Masks
259
Weaving the Design
286
Introduction
293
Sonnet 4
301
At the Loom Passages 2
307
The Collage Passages 6
313
The Architecture Passages 9
319
The Soldiers Passages 26
392
Transgressing the Real Passages 27
400
Stage Directions Passages 30
407
Epilogos
413
Berkeley after
419
care deeply and yet
423
Some Notes on Notation
431
Ancient Questions
437
Ancient Reveries and Declamations Passages 32
445
Transmissions Passages 33 Tribunals
451
The Feast Passages 34 Tribunals
457
Santa Cruz Propositions
470
A Glimpse
482
Bring It Up from the Dark
488
Interrupted Forms
497
Poems from the Margins of Thom Gunns Moly
498
A Seventeenth Century Suite in Homage to the Metaphysical
506
Dante Études
534
Moving the Moving Image Passages 17 348
806
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About the author (2014)

Robert Duncan (1919Ð1988) was a foremost figure in the San Francisco Renaissance and is considered one of the most accomplished and influential postwar American poets. He became a leading practitioner of nontraditional open form poetry, his later work shaped by ideas associated with Charles Olson and the Black Mountain School of poetry. During his lifetime, he published more than a dozen collections of poems, including those in this volume, which remain his best-known works.

Peter Quartermain taught contemporary poetry and poetics at the University of British Columbia for over thirty years. He is the author of Basil Bunting, Poet of the North; Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe; and Stubborn Poetries: Poetic Facticity and the Avant-Garde. He is the editor of Robert DuncanÕs Collected Early Poems and Plays (UC Press).

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