King Lear |
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Page 34
... feeling that Macbeth , Hamlet and Othello were all more immediately attractive , but that King Lear made us feel that ' what appear to us the faults of SHAKESPEARE are often in reality our own deficiencies ' , and it is in fact a ...
... feeling that Macbeth , Hamlet and Othello were all more immediately attractive , but that King Lear made us feel that ' what appear to us the faults of SHAKESPEARE are often in reality our own deficiencies ' , and it is in fact a ...
Page 45
... feeling , especially through the constantly evolving ideas of the nature of tragedy . Reconstruction in this century has in ... feel themselves justified , from their own points of view , and as wronged and helpless as Lear . No servant ...
... feeling , especially through the constantly evolving ideas of the nature of tragedy . Reconstruction in this century has in ... feel themselves justified , from their own points of view , and as wronged and helpless as Lear . No servant ...
Page 142
... feel what wretches feel , That thou mayest shake the superflux to them And show the heavens more just . Enter Edgar , and Fool EDGAR Fathom and half , fathom and half ! Poor Tom ! FOOL Come not in here , nuncle , here's a spirit . Help ...
... feel what wretches feel , That thou mayest shake the superflux to them And show the heavens more just . Enter Edgar , and Fool EDGAR Fathom and half , fathom and half ! Poor Tom ! FOOL Come not in here , nuncle , here's a spirit . Help ...
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Common terms and phrases
actor ALBANY audience Barker notes Burgundy Byrne Charles Kean Cordelia CORNWALL critics curse Cut by Irving daughters Donald Sinden Donald Wolfit dost drama duke Edmund Kean effect Enter Edgar Enter Lear entry Exeunt Exit eyes father followed Fool Fool's France Garrick GENTLEMAN Gielgud in 1940 Gloucester Gloucester's Goneril Goodbody Granada TV Granada TV production hand hath Hazlitt heart Hughes Irving cut Irving's J.C. Trewin J.P. Kemble Kean and Irving Kean's Kent Kent's King Lear knights Komisarjevsky Laughton Lear and Cordelia Lear's London Drury Lane lord Macready's madam madness noble nuncle Oswald pathos Paul Scofield performance Peter Brook Phelps playing Lear promptbook Regan restored role Samuel Phelps scene Scofield servants Shakespeare Shakespeare Memorial Theatre Shakespeare's text Shakespearian sister speak speech spoke stage storm Stratford upon Avon sword Tate Tate's text Tate's version tears Theatre theatrical thee thou throne Trewin villain