King Lear |
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Page xvii
... Tate's re - writing , The History of King Lear . Tate's play itself was repeatedly reworked , and emended by reference to Shakespeare or to individual taste : George Coleman , for example , staged a version in 1768 with the love affair ...
... Tate's re - writing , The History of King Lear . Tate's play itself was repeatedly reworked , and emended by reference to Shakespeare or to individual taste : George Coleman , for example , staged a version in 1768 with the love affair ...
Page 25
... Tate's version . Even in England the efforts of Garrick and Colman to restore Shakespearian poetry had not really touched the public preference for Tate's story and Tate's structure ; and for another fifty years or so even the changes ...
... Tate's version . Even in England the efforts of Garrick and Colman to restore Shakespearian poetry had not really touched the public preference for Tate's story and Tate's structure ; and for another fifty years or so even the changes ...
Page 97
... Tate's text it is the finale of the act , the remaining four lines ( shared between Goneril and Albany ) being either drowned in the applause for the protagonist , or cut by him before- hand . Garrick used Tate's version of the speech ...
... Tate's text it is the finale of the act , the remaining four lines ( shared between Goneril and Albany ) being either drowned in the applause for the protagonist , or cut by him before- hand . Garrick used Tate's version of the speech ...
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Common terms and phrases
actor ALBANY audience Barker notes Burgundy Byrne Charles Kean Cordelia CORNWALL critics curse Cut by Irving daughters Donald Sinden Donald Wolfit dost drama duke Edmund Kean effect Enter Edgar Enter Lear entry Exeunt Exit eyes father followed Fool Fool's France Garrick GENTLEMAN Gielgud in 1940 Gloucester Gloucester's Goneril Goodbody Granada TV Granada TV production hand hath Hazlitt heart Hughes Irving cut Irving's J.C. Trewin J.P. Kemble Kean and Irving Kean's Kent Kent's King Lear knights Komisarjevsky Laughton Lear and Cordelia Lear's London Drury Lane lord Macready's madam madness noble nuncle Oswald pathos Paul Scofield performance Peter Brook Phelps playing Lear promptbook Regan restored role Samuel Phelps scene Scofield servants Shakespeare Shakespeare Memorial Theatre Shakespeare's text Shakespearian sister speak speech spoke stage storm Stratford upon Avon sword Tate Tate's text Tate's version tears Theatre theatrical thee thou throne Trewin villain