Performed Literature: Words and Music by Bob DylanBob Dylan is not a poet. He is a singer-songwriter, a performing artist. The unit of his art, as collected and documented by his intended audience, is the live performance. Right now, no existing technological tool can give researchers ready access to his entire corpus of work. Revised from the author's Ph.D. dissertation (UC Berkeley, 1978) and again from its first edition (Indiana UP, 1982), Performed Literature develops a methodology for close analysis of verbal art that is heard, not seen, using as comparative examples 24 performances of 11 songs by Bob Dylan. The second edition adds a preface, two major appendices and one minor one, and a detailed index. |
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Page 89
In this third stanza ' s AB couplet , Miss Lonely can again be visualized : no
longer in a dorm room but rather at a circus , her own private one with “ all the
clowns that you have commissioned ” ( as elsewhere on this album _ " Queen
Jane ...
In this third stanza ' s AB couplet , Miss Lonely can again be visualized : no
longer in a dorm room but rather at a circus , her own private one with “ all the
clowns that you have commissioned ” ( as elsewhere on this album _ " Queen
Jane ...
Page 90
By the end of the third stanza Miss Lonely has become a victim , albeit one who
asked for it , instead of a haughty bitch . The feelings of the narrator edge toward
sympathy . Thus , the third - refrain questions sound less threatening than in the ...
By the end of the third stanza Miss Lonely has become a victim , albeit one who
asked for it , instead of a haughty bitch . The feelings of the narrator edge toward
sympathy . Thus , the third - refrain questions sound less threatening than in the ...
Page 153
chord to introduce the straightforward , sad statement that concludes the verse .
The organ plays the same four stair step chords with which it had backed up the
waiting lines that ended the third verse , but here it does the stair step faster ,
twice ...
chord to introduce the straightforward , sad statement that concludes the verse .
The organ plays the same four stair step chords with which it had backed up the
waiting lines that ended the third verse , but here it does the stair step faster ,
twice ...
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aesthetic ain't album alliteration appear artistic audience Babe Baby beat becomes begins Blues Bob Dylan breaks chords closing comes concert continues contrast couplet create culture drums Dylan Dylan's voice effect emotional example express eyes fall feel female final follow four fourth girl give guitar hard harmonica Idiot Wind imagery instrumental Isis it's John lady lead leave less listener looking male mark meaning measures Miss Lonely move narrator narrator's never notes once opening opposition organ outtake patterns performance phrase pitch plays poetic rain recorded refrain released repeated rhyme rock Rolling Stone sad-eyed scene seems sense shift Side sings song song's sound stands stanza structure studio suggests sung tell third throughout tradition verse vocal voice Warner Bros woman words York