Performed Literature: Words and Music by Bob DylanBob Dylan is not a poet. He is a singer-songwriter, a performing artist. The unit of his art, as collected and documented by his intended audience, is the live performance. Right now, no existing technological tool can give researchers ready access to his entire corpus of work. Revised from the author's Ph.D. dissertation (UC Berkeley, 1978) and again from its first edition (Indiana UP, 1982), Performed Literature develops a methodology for close analysis of verbal art that is heard, not seen, using as comparative examples 24 performances of 11 songs by Bob Dylan. The second edition adds a preface, two major appendices and one minor one, and a detailed index. |
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Page 15
... instrumental breaks . All other lines in the song are performed identically , except for one : the question “ And what did you meet , my blue - eyed son ? " begins offbeat and slides with a shorter break than elsewhere into " who did ...
... instrumental breaks . All other lines in the song are performed identically , except for one : the question “ And what did you meet , my blue - eyed son ? " begins offbeat and slides with a shorter break than elsewhere into " who did ...
Page 48
... instrumental break between stanzas sound as different as possible from its eleven corresponding breaks . These breaks vary in length from four to twenty measures . The longest one follows the ninth stanza : it imitates the narrator's ...
... instrumental break between stanzas sound as different as possible from its eleven corresponding breaks . These breaks vary in length from four to twenty measures . The longest one follows the ninth stanza : it imitates the narrator's ...
Page 144
... instrumental break after each rhyme word . In contrast , the DEFEG and KLMLG lines of each half - verse flow together without instrumental interludes . The DEFEG and KLMLG segments are further kept structurally dis- tinct from the ABCB ...
... instrumental break after each rhyme word . In contrast , the DEFEG and KLMLG lines of each half - verse flow together without instrumental interludes . The DEFEG and KLMLG segments are further kept structurally dis- tinct from the ABCB ...
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Common terms and phrases
ABCB aesthetic ain't Al Kooper album artistic audience aural Babe Baby Ballad bass Beatles Blonde on Blonde Bob Dylan chord change couplet culture drums Dylan's songs Dylan's voice effect electric guitar emotional feel female Ferry's Folklore four fourth stanza Freewheelin Hard Rain hard rain's a-gonna harmonica Highway 61 Revisited Idiot Wind Idiot wind Blowing imagery imitate instrumental break Isis John Wesley Harding listener listener's melody meter Miss Lonely musical beat musicians narrator narrator's oral organ chords outtake Oxford Town performance phrase piano pitch plays poetic rain's a-gonna fall recorded refrain released Retrospective rhyme word riff rock rock music Rolling Stone sad-eyed lady scene second stanza Shelter shift singers sings someone song's sound stanza studio version Subterranean Homesick Blues suggests sung lines sweet lady syllables tambourine tape textual third stanza throughout the song tion verse woman Woody Guthrie words and music York