Art and Visual Perception: A Psychology of the Creative Eye

angle appear artist balance blue body brightness central perspective child circle color complex composition compositional pattern contour convergence created cubist dancer dark deviation dimension direction disk distance drawing dynamic elements example experience expression face factors figure-ground film forces frontal plane geometrical gestalt psychology Goethe gradient green ground Heinrich Wölfflin Henry Moore horizontal hues human figure illumination kinesthetic light look Max Wertheimer means mind motion move movement nature oblique observer organization orientation overlapping painter painting particular pattern perceived perception physical Picasso pictorial picture principle produce projection qualities rectangle relation Rembrandt representation represented retina sculpture seen sense sequence shadow shape similar simple simplest simplicity space spatial square stage stroboscopic surface symmetry tension things three-dimensional tilted tion triangle two-dimensional vanishing point vertical viewer visual concept visual field visual objects visual perception whereas whole yellow