The Theatre of the Greeks: A Series of Papers Relating to the History and Criticism of the Greek Drama. With an Original Introduction and Notes |
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... [ 106 2. Aristophanes . [ 115 3. The Comedians who succeeded Aristophanes . Chronology of the Greek Drama . [ 129 [ 136 CHAPTER VII . + On the Representation of Greek Plays • [ 141 PART II . EXTRACTS FROM ARISTOTLE AND BENTLEY . I.
... [ 106 2. Aristophanes . [ 115 3. The Comedians who succeeded Aristophanes . Chronology of the Greek Drama . [ 129 [ 136 CHAPTER VII . + On the Representation of Greek Plays • [ 141 PART II . EXTRACTS FROM ARISTOTLE AND BENTLEY . I.
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... ARISTOTLE AND BENTLEY . I. - ARISTOTLE'S TREATISE ON POETRY , translated by Twining II . EXTRACTS FROM BENTLEY'S DISSERTATION UPON THE EPISTLES OF PHALARIS . 1. Age of Comedy 2. Age of Tragedy · · 3. Attic Dialect · PART III . EXTRACTS ...
... ARISTOTLE AND BENTLEY . I. - ARISTOTLE'S TREATISE ON POETRY , translated by Twining II . EXTRACTS FROM BENTLEY'S DISSERTATION UPON THE EPISTLES OF PHALARIS . 1. Age of Comedy 2. Age of Tragedy · · 3. Attic Dialect · PART III . EXTRACTS ...
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... Aristotle ( Abhandl . der Hist . Philologischen Klasse der Kön . Akad . der Wissensch . 1828 ) . We do not think Dr. Copleston's view of this subject ( Prælectiones Academicæ , p . 28 , seqq . ) sufficiently comprehensive . " striving ...
... Aristotle ( Abhandl . der Hist . Philologischen Klasse der Kön . Akad . der Wissensch . 1828 ) . We do not think Dr. Copleston's view of this subject ( Prælectiones Academicæ , p . 28 , seqq . ) sufficiently comprehensive . " striving ...
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... Aristotle ; for it appears to us pretty obvious that his treatise on Poetic was , like many of his other writings , composed expressly to confute the opinions of Plato , who taking the word piunoic in its narrowest sense , to signify ...
... Aristotle ; for it appears to us pretty obvious that his treatise on Poetic was , like many of his other writings , composed expressly to confute the opinions of Plato , who taking the word piunoic in its narrowest sense , to signify ...
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... Aristotle ' , that 6 Milton's Prose Works , p . 101 . 7 Plutarch . Quæst . Gr . ii . p . 202 , Wyttenb . De Defect . Orac . ii . p . 710. 723 , Wyttenb . 8 Cohort . ad Gentes , p . 12 , Potter . Plut . de EI Delphico , p . 591 , Wyttenb ...
... Aristotle ' , that 6 Milton's Prose Works , p . 101 . 7 Plutarch . Quæst . Gr . ii . p . 202 , Wyttenb . De Defect . Orac . ii . p . 710. 723 , Wyttenb . 8 Cohort . ad Gentes , p . 12 , Potter . Plut . de EI Delphico , p . 591 , Wyttenb ...
Common terms and phrases
Acharn action actor Anapest ancient appears Archilochus Arion Arist Aristoph Aristophanes Aristotle Athenæus Athenian Athens Attic Attica Bacchus called character CHIG choragus choral chorus comedian comic poet Comp connexion Dactyl dance dialogue Dionysia Dithyramb Dorians Edipus Electra epic Epicharmus Eschylus Eupolis Euripides exhibited Greek Herodotus Homer Iambic imitation invention lyric manner means Müller nature Old Comedy Olymp Orestes original passage persons Phalaris Phrynichus Pisistratus Plato Plautus play Plut Plutarch poem poetry rhapsode satyrical Satyrical Drama says Schol Scholiast seqq Solon song Sophocles species stage Suidas Susarion syllable theatre Thespis thing tragedians Tragedy tragic trilogy Trochaic UNIV UNIV verse Welcker word worship ἀλλ ἂν ἀπὸ γὰρ δὲ δὴ διὰ εἰ εἰς ἐκ ἐν ἐπὶ ἦν καὶ μὲν μὴ οἱ ὅτι οὐ οὐκ οὖν περὶ πρὸς τὰ τὰς τε τὴν τῆς τὸ τοῖς τὸν τοῦ τοὺς τραγῳδίας τῷ τῶν ὡς
Popular passages
Page 325 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 10 - For Tragedy is an imitation, not of men, but of an action and of life, and life consists in action, and its end is a mode of action, not a quality. Now character determines men's qualities, but it is by their actions that they are happy or the reverse.
Page 17 - ... compassion. Neither should the contrary change, from adversity to prosperity, be exhibited in a vicious character: this, of all plans, is the most opposite to the genius of tragedy, having no one property that it ought to have; for it is neither gratifying in a moral view, nor affecting, nor terrible. Nor, again, should the fall of a very bad man from prosperous to adverse fortune be represented : because, though such a subject may be pleasing from its moral tendency, it will produce neither...
Page 12 - A whole is that which has a beginning, a middle, and an end. A beginning is that which does not itself follow anything by causal necessity, but after which something naturally is or comes to be. An end, on the contrary, is that which itself naturally follows some other thing, either by necessity or as a rule, but has nothing following it. A middle is that which follows something...
Page 27 - Metaphor consists in giving the thing a name that belongs to something else; the transference being either from genus to species, or from species to genus, or from species to species, or on grounds of analogy.
Page 12 - Again: whatever is beautiful, whether it be an animal or any other thing composed of different parts, must not only have those parts arranged in a certain manner, but must also be of a certain magnitude; for beauty consists in magnitude and order. Hence it is that no very minute animal can be beautiful ; the eye comprehends the whole too instantaneously to distinguish and compare the parts : — neither, on the contrary, can one of a prodigious size be beautiful; because, as all its parts cannot...
Page 15 - Oedipus, the messenger, meaning to make Oedipus happy, and to relieve him from the dread he was under with respect to his mother, by making known to him his real birth, produces an effect directly contrary to his intention. Thus also in the tragedy of Lynceus...
Page 32 - Homer's genius is apparent — that he did not attempt to bring the whole war, though an entire action with beginning and end, into his poem. It would have been too vast an object, and not easily comprehended in one view; or had he forced it into a moderate compass, it would have been perplexed by its variety.
Page 35 - ... 1. The poet, being an imitator, like the painter or any other artist of that kind, must necessarily, when he imitates, have in view one of these three objects : he must represent things, such as they were, or are ; or such as they are said to be, and believed to be ; or such as they should be. 2.
Page 8 - COMEDY, as was said before, is an imitation of bad characters; bad, not with respect to every sort of vice, but to the RIDICULOUS only, as being a species of turpitude or deformity ; since it may be defined to be — a fault or deformity of such a sort as is neither painful nor destructive. A ridiculous face, for example, is something ugly and distorted, but not so as to cause pain.