Medieval DramaMedieval Drama is a textbook, designed to be used by A level and undergraduate students of theatre and drama. It is divided into two major areas, mystery cycles and morality plays, and it examines the plays from a performance perspective. The book makes special reference to those texts contained within selections of plays which can be readily obtained by students, including A.C.Cawley's Everyman and Medieval Miracle Plays (Dent). The staging conventions of pageant waggon performance, place and scaffold playing and the drama of the Hall are explored in relation to the cultural context of the medieval period. |
From inside the book
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Page 23
... given a more respectable play . It has sometimes been suggested that the plays assigned to various guilds afforded the opportunity for craft advertising in that appropriate plays were often performed . Thus the Goldsmiths were often given ...
... given a more respectable play . It has sometimes been suggested that the plays assigned to various guilds afforded the opportunity for craft advertising in that appropriate plays were often performed . Thus the Goldsmiths were often given ...
Page 32
... given by Contemplacio which refers to the intention ' to procede the matter that we left last year ' strengthens the hypothesis of a divided reduced cycle given in succeeding or alternate years , in different places . It seems clear ...
... given by Contemplacio which refers to the intention ' to procede the matter that we left last year ' strengthens the hypothesis of a divided reduced cycle given in succeeding or alternate years , in different places . It seems clear ...
Page 145
... given , while Hugh of St Victor credits man's God - given reason with the naming of things . In medieval plays such as The Castle of Perseverance , the self - identification of a speaker by an act of naming gave the audience a clear and ...
... given , while Hugh of St Victor credits man's God - given reason with the naming of things . In medieval plays such as The Castle of Perseverance , the self - identification of a speaker by an act of naming gave the audience a clear and ...
Contents
PARTI MYSTERY PLAYS | 3 |
Everyman and other Morality Plays | 97 |
The Place | 108 |
Copyright | |
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Other editions - View all
Medieval Drama Christine Richardson,Colette Rausch,Jackie Johnston,Leigh A. Payne No preview available - 1991 |
Common terms and phrases
A. C. Cawley Abel Play Abel's actors allegory Angel appear audience audience's biblical Cain and Abel Cain's Castle of Perseverance characters Chester play Christ Christian contrast Corpus Christi plays costumes Coventry Cross Crucifixion Crucifixion Play cycle plays demonstrate Devils didactic ditch EETS effect Elizabethan entertainment episode Everyman fifteenth century God's guilds Hell Interludes Last Judgement Last Judgement Play liturgical liturgical drama London Mankind Medieval Drama Medieval English Drama medieval period Medieval Theatre Mercers Mercy Mischief Morality plays Mummers Mystery Cycles Mystery plays N-Town Cycle N-Town play Noah offer pageant wagon Passion sequence performance physical play world playing area popular possible recognise records reference religious represent response role salvation scaffolds Secunda Pastorum Shepherds Play shows social soldiers souls space spectators speech spiritual stage directions survived theatre tithe Titivillus Towneley Towneley-Wakefield Cycle Towneley-Wakefield play tradition Tudor vices Wakefield Wakefield Master York Cycle